Ypsilanti, Michigan, 1945. Engineer Preston Tucker dreams of designing the car of future, but his innovative envision will be repeatedly sabotaged by his own unrealistic expectations and the Detroit automobile industry tycoons.
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| Directing | Francis Ford Coppola | Director |
| Sound | Melissa Dietz | Dialogue Editor |
| Production | Jonathan Shedd | Assistant Location Manager |
| Art | John J. Rutchland Jr. | Construction Coordinator |
| Costume & Make-Up | Karen Bradley | Assistant Makeup Artist |
| Costume & Make-Up | Jill Maley | Key Costumer |
| Crew | Tim A. Davison | Stunts |
| Crew | Gary McLarty | Stunts |
| Camera | Billy Clevenger | First Assistant Camera |
| Art | Doug von Koss | Leadman |
| Production | Susan Griffin | Assistant Location Manager |
| Sound | Mildred Iatrou | Assistant Sound Designer |
| Sound | Martha Pike | Assistant Sound Editor |
| Production | Linda Knechtli | Assistant Accountant |
| Camera | Doug Hunt | Second Assistant Camera |
| Sound | Paige Sartorius | Assistant Sound Editor |
| Editing | Donah Bassett | Negative Cutter |
| Crew | Steve M. Davison | Stunts |
| Crew | Jimmy Nickerson | Stunts |
| Production | Joe Murphy | Production Accountant |
| Costume & Make-Up | Terry Baliel | Assistant Hairstylist |
| Crew | Susan Landau Finch | Unit Publicist |
| Camera | Deborah Morgan | Second Assistant Camera |
| Camera | Dennis Pope | Grip |
| Sound | Clare C. Freeman | Assistant Sound Editor |
| Costume & Make-Up | Anne Polland | Key Costumer |
| Sound | E. Jeane Putnam | Assistant Sound Editor |
| Camera | David Heron | Dolly Grip |
| Sound | Louise Rubacky | ADR Editor |
| Sound | Sandina Bailo-Lape | Foley Editor |
| Camera | Michael Santy | First Assistant Camera |
| Sound | Nicole Boris | Assistant Sound Editor |
| Sound | Diana Pellegrini | Foley Editor |
| Sound | Michele Perrone | Assistant Sound Editor |
| Editing | Roderick W. Finney | Assistant Editor |
| Production | Kimberly Nelson | Production Secretary |
| Crew | Paula Tracy-Smuin | Choreographer |
| Costume & Make-Up | Louis Infante | Key Costumer |
| Sound | Tom Bellfort | ADR Editor |
| Camera | Leo Loverro | Dolly Grip |
| Crew | Steve Collins | Transportation Coordinator |
| Crew | Dick Ziker | Stunts |
| Writing | Arnold Schulman | Screenplay |
| Production | Fred Fuchs | Producer |
| Writing | David Seidler | Screenplay |
| Production | Fred Roos | Producer |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Costume & Make-Up | Winnie D. Brown | Costume Supervisor |
| Editing | Louise Rubacky | First Assistant Editor |
| Art | Armin Ganz | Set Decoration |
| Sound | Joe Jackson | Original Music Composer |
| Editing | Priscilla Nedd-Friendly | Editor |
| Art | Dean Tavoularis | Production Design |
| Production | Janet Hirshenson | Casting |
| Sound | Michael Evje | Production Sound Mixer |
| Crew | Buddy Joe Hooker | Stunt Coordinator |
| Production | George Lucas | Executive Producer |
| Sound | Robert Shoup | Sound Effects Editor |
| Art | Alex Tavoularis | Art Direction |
| Sound | Richard Beggs | Sound Designer |
| Costume & Make-Up | Judianna Makovsky | Assistant Costume Designer |
| Costume & Make-Up | Richard Dean | Makeup Artist |
| Production | Teri Fettis-D'Ovidio | Associate Producer |
| Production | Jane Jenkins | Casting |
| Costume & Make-Up | Lyndell Quiyou | Hairstylist |
| Production | Ian Bryce | Unit Production Manager |
| Camera | Vittorio Storaro | Director of Photography |
| Lighting | Pat Fitzsimmons | Gaffer |
| Sound | Gloria S. Borders | Supervising Sound Editor |
| Sound | D. G. Fisher | Boom Operator |
| Visual Effects | David Pier | Special Effects Supervisor |
| Sound | Mark Adler | Music Editor |
| Sound | Tim Holland | Sound Effects Editor |
| Production | Francis Ford Coppola | Producer |
| Costume & Make-Up | Milena Canonero | Costume Designer |
| Directing | H. Gordon Boos | First Assistant Director |
| Directing | Buddy Joe Hooker | Second Unit Director |
| Directing | Daniel R. Suhart | Second Assistant Director |
| Directing | L. Dean Jones Jr. | Second Assistant Director |
| Production | Rory Enke | Location Manager |
| Art | Douglas E. Madison | Property Master |
| Sound | Richard Beggs | Sound Re-Recording Mixer |
| Camera | Richard Dova Spah | Key Grip |
| Sound | Randy Thom | Sound Re-Recording Mixer |
| Crew | Enrico Umetelli | Technical Advisor |
| Production | Aleta Chappelle | Location Casting |
| Sound | Dennie Thorpe | Foley Artist |
| Art | Jim Pohl | Set Designer |
| Production | Anahid Nazarian | Researcher |
| Art | Douglas T. Madison | Assistant Property Master |
| Sound | Tom Johnson | Sound Re-Recording Mixer |
| Visual Effects | Robert Finley Jr. | Visual Effects |
| Art | Bob Goldstein | Set Designer |
| Production | Maureen Murphy | Production Coordinator |
| Camera | Jamie Anderson | Camera Operator |
| Crew | Carmine Coppola | Additional Music |
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