A fledgling producer finds himself at odds with his workers, financiers and his greedy ex-wife when he tries to produce live musicals for movie-going audiences.
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| Directing | Lloyd Bacon | Director |
| Writing | Manuel Seff | Screenplay |
| Production | Robert Lord | Producer |
| Writing | James Seymour | Screenplay |
| Camera | George Barnes | Director of Photography |
| Directing | Busby Berkeley | Director |
| Editing | George Amy | Editor |
| Costume & Make-Up | Milo Anderson | Costume Design |
| Directing | Gordon Hollingshead | Assistant Director |
| Art | Jack Okey | Art Direction |
| Sound | Oliver S. Garretson | Sound |
| Art | Anton Grot | Art Direction |
| Costume & Make-Up | Perc Westmore | Makeup Artist |
| Crew | Busby Berkeley | Choreographer |
| Sound | Ray Heindorf | Music Arranger |
| Production | Maxwell Arnow | Casting Director |
| Production | William Forsyth | Casting Assistant |
| Writing | Sammy Fain | Lyricist |
| Writing | Irving Kahal | Lyricist |
| Writing | Peter Milne | Writer |
| Camera | Warren Lynch | Camera Operator |
| Art | Herbert Plews | Props |
| Lighting | Leo Green | Electrician |
| Writing | Robert Lord | Story |
| Camera | Jack Koffman | Assistant Camera |
| Camera | Scotty Welbourne | Still Photographer |
| Production | Russel Trost | Casting Associate |
| Sound | Leo F. Forbstein | Conductor |
| Sound | Harry Warren | Music |
| Production | William Maybery | Casting Assistant |
| Writing | Harry Warren | Lyricist |
| Sound | Al Dubin | Music |
| Sound | Sammy Fain | Music |
| Sound | Irving Kahal | Music |
| Camera | Harry Barnhouse | Key Grip |
| Writing | Al Dubin | Lyricist |
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