In 1840s New York, the uneventful and boring days of the daughter of a wealthy doctor come to an end when she meets a dashing poorer man — who may or may not be after her inheritance.
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| Art | Harry Horner | Art Direction |
| Directing | William Wyler | Director |
| Sound | Aaron Copland | Original Music Composer |
| Camera | Leo Tover | Director of Photography |
| Art | Harry Horner | Production Design |
| Art | John Meehan | Art Direction |
| Costume & Make-Up | Edith Head | Costume Design |
| Writing | Augustus Goetz | Screenplay |
| Writing | Ruth Goetz | Screenplay |
| Writing | Henry James | Novel |
| Editing | William Hornbeck | Editor |
| Writing | Augustus Goetz | Theatre Play |
| Costume & Make-Up | Wally Westmore | Makeup Department Head |
| Costume & Make-Up | Hal Lierley | Makeup Artist |
| Production | Charles Woolstenhulme | Production Manager |
| Sound | Leon Becker | Music Supervisor |
| Costume & Make-Up | Lenore Weaver | Hairstylist |
| Production | William Wyler | Producer |
| Production | Lester Koenig | Associate Producer |
| Visual Effects | Gordon Jennings | Visual Effects |
| Costume & Make-Up | Gile Steele | Costume Design |
| Sound | Van Cleave | Orchestrator |
| Art | Emile Kuri | Set Decoration |
| Directing | Charles C. Coleman | Assistant Director |
| Production | Robert Wyler | Associate Producer |
| Camera | Haskell B. Boggs | Camera Operator |
| Sound | John Cope | Sound Recordist |
| Sound | Hugo Grenzbach | Sound Recordist |
| Directing | Ronnie Lubin | Script Supervisor |
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