Melvin Udall, a cranky, bigoted, obsessive-compulsive writer of romantic fiction, is rude to everyone he meets, including his gay neighbor, Simon. After Simon is hospitalized, Melvin finds his life turned upside down when he has to look after Simon's dog. In addition, Carol, the only waitress at the local diner who will tolerate him, must leave work to care for her sick son, making it impossible for Melvin to eat breakfast.
Is As Good as It Gets on Netflix? Yes! The movie As Good as It Gets is now on Netflix in the countries listed below.
Directing | James L. Brooks | Director |
Writing | Mark Andrus | Screenplay |
Writing | James L. Brooks | Screenplay |
Crew | Bruce Gregory | Stunts |
Crew | David LeBell | Stunts |
Crew | Felipe Savahge | Stunts |
Crew | Phil O'Dell | Stunts |
Sound | Armen Ksajikian | Musician |
Art | Mark Wade | Property Master |
Directing | Ray Quiroz | Script Supervisor |
Crew | Walter Scott | Stunt Coordinator |
Production | Maria Kavanaugh | Associate Producer |
Production | Aldric La'Auli Porter | Associate Producer |
Production | Kristi Zea | Producer |
Production | Laurence Mark | Executive Producer |
Production | Richard Sakai | Executive Producer |
Production | John D. Schofield | Co-Producer |
Production | Richard Marks | Co-Producer |
Production | Laura Ziskin | Executive Producer |
Production | Bridget Johnson | Producer |
Crew | Ken Fritz | Stunt Coordinator |
Directing | William M. Connor | Second Assistant Director |
Art | John Maskovich | Set Dresser |
Sound | David Giammarco | Supervising Sound Editor |
Production | Jake Jacobson | Unit Production Manager |
Directing | Aldric La'Auli Porter | First Assistant Director |
Production | John D. Schofield | Unit Production Manager |
Art | Masako Masuda | Assistant Art Director |
Art | Brana Rosenfeld | Assistant Set Decoration |
Art | John Hammer Maxwell | Set Dresser |
Art | John Naehrlich | Leadman |
Art | Scott G. Jones | Set Dresser |
Camera | Michael Stone | Camera Operator |
Art | Bart C. Hubenthal | Set Dresser |
Camera | Donald E. Thorin Jr. | First Assistant Camera |
Camera | Michael Martinez | Second Assistant Camera |
Sound | Nicholas Korda | ADR Editor |
Sound | Patrick Drummond | Sound Effects Editor |
Sound | Cindy Marty | Sound Effects Editor |
Sound | Renée Tondelli | ADR Supervisor |
Sound | Matt Colleran | Sound Recordist |
Sound | Galen Goodpaster | First Assistant Sound Editor |
Sound | Don Coufal | Boom Operator |
Sound | Jonathan Klein | Foley Editor |
Sound | Rudy Pi | Sound Recordist |
Sound | Mark Smith | Sound Re-Recording Mixer |
Sound | Andy Malcolm | Foley Artist |
Crew | William B. Doane | Special Effects Coordinator |
Costume & Make-Up | Mary Elizabeth Still | Costumer |
Art | Martin Charles | Graphic Designer |
Production | Yvonne Yaconelli | Production Office Coordinator |
Editing | Dale E. Grahn | Color Timer |
Costume & Make-Up | Elaine Ramires | Wardrobe Supervisor |
Camera | Michael M. Krevitt | Key Grip |
Costume & Make-Up | Donna Casey-Aira | Assistant Costume Designer |
Art | Gary Deaton | Construction Coordinator |
Sound | Christopher Flick | Foley Editor |
Sound | Kira Edmunds | Assistant Sound Editor |
Sound | Ron Bartlett | Sound Re-Recording Mixer |
Sound | Zigmund Gron | Music Editor |
Sound | Bill Ward | Assistant Sound Editor |
Sound | Chris Jenkins | Sound Re-Recording Mixer |
Sound | Jeffrey Pollack | Music Supervisor |
Sound | Jeff Wexler | Sound Mixer |
Lighting | David Burnett | Assistant Chief Lighting Technician |
Crew | Gary Holland | Cableman |
Sound | Richard Duarte | Foley Mixer |
Sound | Adam Milo Smalley | Music Editor |
Camera | Thomas Wazney | Best Boy Grip |
Camera | Michael Connors | Dolly Grip |
Sound | Thomas J. O'Connell | ADR Mixer |
Lighting | Mike Moyer | Chief Lighting Technician |
Sound | Jeff Gomillion | ADR Mixer |
Editing | Theresa Repola Mohammed | Negative Cutter |
Costume & Make-Up | Joy Zapata | Hairstylist |
Costume & Make-Up | James Lapidus | Costumer |
Costume & Make-Up | Linda Arnold | Hair Supervisor |
Production | Ralph Coleman | Location Manager |
Costume & Make-Up | Michèle Burke | Makeup Supervisor |
Costume & Make-Up | Stacye P. Branche | Makeup Artist |
Visual Effects | George Merkert | Visual Effects Producer |
Costume & Make-Up | Darrell Redleaf-Fielder | Hairstylist |
Production | S. Todd Christensen | Assistant Location Manager |
Camera | John Bailey | Director of Photography |
Directing | Susan Perlman | Other |
Sound | Bruce Fowler | Orchestrator |
Editing | Richard Marks | Editor |
Editing | Gena Bleier | Assistant Editor |
Camera | Ralph Nelson Jr. | Still Photographer |
Art | Clay A. Griffith | Set Decoration |
Directing | Hans Berggren | Other |
Crew | Michael Besman | Thanks |
Production | Karen E. Etcoff | Casting |
Crew | Julie Ansell | Thanks |
Production | Francine Maisler | Casting |
Art | Philip Toolin | Art Direction |
Art | Bill Brzeski | Production Design |
Production | Owen Wilson | Associate Producer |
Costume & Make-Up | Carrie Angland | Makeup Artist |
Costume & Make-Up | Molly Maginnis | Costume Design |
Crew | Chester E. Tripp III | Stunts |
Sound | Dennis Drummond | Supervising Sound Editor |
Lighting | Greg Addison | Lighting Technician |
Writing | Mark Andrus | Story |
Crew | Gene LeBell | Stunts |
Sound | Hans Zimmer | Original Music Composer |
Crew | Julia Davis | Stunt Coordinator |
Crew | Julia Davis | Stunt Double |
Crew | BJ Davis | Stunt Double |
Editing | Hilary Schroeder | Assistant Editor |
Editing | Jeffrey Ford | Assistant Editor |
Crew | Denise Lynne Roberts | Stunts |
Production | Barbara Harris | ADR Voice Casting |
Art | Pablo Ferro | Title Designer |
Visual Effects | Tim McGovern | Visual Effects Supervisor |
Production | James L. Brooks | Producer |
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