Spin off from the classic 1946 Jimmy Stewart film "It's A Wonderful Life" finds his protecting angel, Clarence, again returning to Earth to help another human.
Unfortunately the movie Clarence is not yet available on Netflix. Follow us on Facebook to see when Clarence becomes available on Netflix!
| Directing | Eric Till | Director |
| Writing | Lorne Cameron | Writer |
| Writing | David Hoselton | Writer |
| Production | Mary Kahn | Producer |
| Art | Ed Hanna | Art Direction |
| Editing | Bruce Lange | Editor |
| Camera | Glen MacPherson | Director of Photography |
| Sound | Louis Natale | Original Music Composer |
| Production | Susan Forrest | Casting |
| Sound | Charles T. Cozens | Original Music Composer |
| Production | Larry Raskin | Associate Producer |
| Costume & Make-Up | Sherry McMorran | Costume Design |
| Production | Mary Ann Barton | Casting |
| Art | Elinor Rose Galbraith | Set Decoration |
| Camera | Hugh Brule | Grip |
| Art | Christopher Geggie | Property Master |
| Sound | Michael LaCroix | Boom Operator |
| Sound | Donna Powell | Foley Artist |
| Camera | Mark Manchester | Key Grip |
| Crew | John Bray | Transportation Coordinator |
| Crew | Allen Kosonic | Transportation Captain |
| Directing | Michael G. Burke | Third Assistant Director |
| Sound | Bryan Day | Sound Mixer |
| Sound | Kevin Townshend | ADR Editor |
| Editing | Doug Caron | Assistant Picture Editor |
| Sound | Louis Natale | Music Director |
| Production | Harry Young | Executive Producer |
| Crew | John Harcourt | Post Production Supervisor |
| Art | Clive Thomasson | Lead Set Dresser |
| Sound | Steven Cole | Sound Effects Editor |
| Crew | Nigel Draper | Generator Operator |
| Production | Seaton McLean | Supervising Producer |
| Production | Geoffrey Smither | Location Manager |
| Lighting | Andris Matiss | Gaffer |
| Camera | Robert Stecko | Focus Puller |
| Directing | Susan Haller | Script Supervisor |
| Directing | Ani Baravyan | Second Assistant Director |
| Art | Wendy Morrow | First Assistant Art Direction |
| Camera | Bruce Macaulay | Still Photographer |
| Production | John Calvert | Production Manager |
| Directing | Mac Bradden | First Assistant Director |
| Camera | John Bakker | Best Boy Grip |
| Production | Steve D'Onofrio | Post Production Coordinator |
| Editing | Dawn M. Stoliar | Assistant Picture Editor |
| Production | Tammy Quinn | Production Coordinator |
| Editing | Paul Deakin | Online Editor |
| Art | Danielle Fleury | Assistant Set Decoration |
| Sound | Peter Chapman | Assistant Sound Editor |
| Costume & Make-Up | Isabel De Biasio | Wardrobe Master |
| Art | Peter Nicolakakos | Props |
| Camera | David Hynes | Dolly Grip |
| Crew | Don Dykens | Head Driver |
| Sound | Greg Glynn | Dialogue Editor |
| Production | Terry Botwick | Executive Producer |
| Production | Michael MacMillian | Executive Producer |
| Costume & Make-Up | Irma Parkkonen | Makeup Designer |
| Costume & Make-Up | Divyo Putney | Hair Designer |
| Editing | Craig Nisker | First Assistant Picture Editor |
| Editing | Bill Ferwerda | Colorist |
| Production | Mark Logan | Location Manager |
| Production | Karen de Montbrun | Production Accountant |
| Camera | Stephen S. Campanelli | Camera Operator |
| Production | Steve Wakefield | Assistant Production Manager |
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