Delilah Miller is looking for an anchor in her life. She starts a romance with rock musician Ryland Yale, but soon it shows he can not be such an anchor - he's possessive, undependable and even a heroin addict.
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| Directing | Kirsten Clarkson | Director |
| Editing | Melinda Friedman | Editor |
| Production | Michele Sands | Producer |
| Camera | Glen Winter | Director of Photography |
| Writing | Kirsten Clarkson | Writer |
| Costume & Make-Up | Andrea Manchur | Makeup Artist |
| Production | Kate Armstrong | Assistant Production Coordinator |
| Directing | Marina Prospero | First Assistant Director |
| Directing | Maria Quanfun | Second Assistant Director |
| Costume & Make-Up | Patty Yoon | Wardrobe Assistant |
| Costume & Make-Up | Leanne Rae Podavin | First Assistant Makeup Artist |
| Costume & Make-Up | Vanessa Giles | Assistant Makeup Artist |
| Art | Andrew Bagoly | Set Decoration |
| Camera | Tony Mirza | Other |
| Sound | Leigh Wilkes | Location Sound Mixer |
| Sound | Kirsten Clarkson | Music Supervisor |
| Production | Martin Della Valle | Production Manager |
| Art | Ray Kwok | Graphic Designer |
| Art | Andrew Bagoly | Swing |
| Production | Deborah Harry | Extras Casting |
| Sound | Wendy Romano | Dialogue Editor |
| Sound | Ian Mackie | Foley Artist |
| Production | Ken Meisenbacker | Location Manager |
| Costume & Make-Up | Katrina McCarthy | Wardrobe Assistant |
| Crew | Cheryl Buckman | Post Production Supervisor |
| Production | Steven Grisé | Location Manager |
| Art | Andrew Bagoly | Props |
| Costume & Make-Up | Oriana Graber | Wardrobe Assistant |
| Camera | Clayton Bachynsky | Other |
| Production | Craig Grondahl | Executive Producer |
| Production | Brendan Woollard | Assistant Production Coordinator |
| Art | Tania Thompson | Painter |
| Crew | Darwin Haine | Other |
| Directing | Ryan Kerns | Second Second Assistant Director |
| Art | Mikel Rotaeche | Leadman |
| Crew | Ian Guns | Other |
| Directing | Sarah Laxton | Script Supervisor |
| Sound | Leigh Wilkes | Location Sound Recordist |
| Production | Andrew Hewitson | Location Manager |
| Art | Scott Macrae | Property Master |
| Camera | Ivan Maldonado | First Assistant Camera |
| Lighting | John Marilley-Bodner | Best Boy Electric |
| Camera | Grant Fulton | Key Grip |
| Sound | Randy Kiss | Sound Re-Recording Mixer |
| Sound | Randall Lee | Sound Effects Editor |
| Production | Laurie Watt | Accountant |
| Costume & Make-Up | Leanne Rae Podavin | Assistant Hairdresser |
| Sound | Geoff Turner | Sound Re-Recording Mixer |
| Costume & Make-Up | Susan O'Hara | Costume Designer |
| Production | Wendall Harlow | Casting |
| Art | Jonathan Kiekish | Set Dresser |
| Art | Bob Van Der Mey | Painter |
| Art | Lisa Mitchell | Set Dresser |
| Crew | Cat Owens | Scenic Artist |
| Art | Neil Campbell | Art Direction |
| Costume & Make-Up | Vanessa Giles | Assistant Hairdresser |
| Art | Costa Grigoriadis | Daily Grip |
| Sound | Thor Andersen | Boom Operator |
| Sound | Ryan Yewell | Other |
| Lighting | Gary Hogarth | Electrician |
| Camera | Mark Kamall | Best Boy Grip |
| Sound | David Horner | Foley Mixer |
| Lighting | Scott Mitchell | Best Boy Electric |
| Editing | Bert Bush | Other |
| Crew | Kryssta Mills | Craft Service |
| Sound | Todd-AO | Other |
| Camera | Neil Avery | Second Assistant Camera |
| Lighting | David Densen | Gaffer |
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