The title refers to the business of affable, ambitious bail bondsman (and politically-connected grifter) Bill Bailey, who, in the course of his work, crosses paths with every kind of offender there is, from first-time defendants to career criminals.
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Directing | Rowland Brown | Director |
Writing | Rowland Brown | Writer |
Writing | Hal Long | Writer |
Camera | James Van Trees | Director of Photography |
Production | William Goetz | Associate Producer |
Production | Raymond Griffith | Associate Producer |
Production | Darryl F. Zanuck | Producer |
Writing | Speed Kendall | Writer |
Sound | Alfred Newman | Music Director |
Crew | James Light | Dialogue Coach |
Directing | Ben Silvey | Assistant Director |
Directing | Samuel G. Engel | Second Assistant Director |
Camera | Kenneth Green | Camera Operator |
Costume & Make-Up | Mickey Meyers | Wardrobe Supervisor |
Costume & Make-Up | Andy Anderson | Wardrobe Supervisor |
Sound | Bruce Rutherford | Sound Mixer |
Costume & Make-Up | Ruby Felker | Hair Designer |
Production | Ed Ebele | Production Manager |
Camera | Jimmy Connelly | Grip |
Art | Julia Heron | Props |
Art | Elmer Howard | Assistant Property Master |
Art | Lee Marple | Assistant Property Master |
Crew | Oscar Wright | Transportation Coordinator |
Crew | Ray Kilgore | Stunts |
Camera | Leo J. Hefferman | Still Photographer |
Crew | Kitty Alexander | Stand In |
Editing | Lloyd Nosler | Editor |
Art | Albert S. D'Agostino | Art Direction |
Costume & Make-Up | Karl Herlinger | Makeup Artist |
Camera | Fred Bentley | Camera Operator |
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