In a small town in the 1950s a repertory company meets on Monday morning to start rehearsing the following week's play. This is a ghastly thing written by the aunt of one of the theatre's directors. The producer doesn't try to hide his annoyance about it, and is further exercised when the authoress herself arrives to help. The cast have to try and sort out real-life problems that keep intruding as they wrestle with the play's dire dialogue.
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Directing | Ralph Smart | Director |
Writing | phillip king | Original Story |
Writing | Jack Davies | Original Story |
Production | Robert Garrett | Producer |
Writing | Michael Pertwee | Original Story |
Camera | Desmond Davis | Clapper Loader |
Production | Jack Rix | Production Manager |
Editing | Douglas Robertson | Editor |
Costume & Make-Up | Gladys Atkinson | Hairdresser |
Camera | Ted Moore | Camera Operator |
Costume & Make-Up | Joan Ellacott | Costume Design |
Costume & Make-Up | Bob Lawrance | Makeup Artist |
Sound | Muir Mathieson | Conductor |
Camera | Stanley Pavey | Director of Photography |
Production | George Pitcher | Associate Producer |
Sound | Red Law | Sound Recordist |
Costume & Make-Up | John Wilson-Apperson | Wardrobe Supervisor |
Directing | Maisie Kelly | Continuity |
Art | Geoffrey Drake | Art Direction |
Sound | Malcolm Arnold | Original Music Composer |
Directing | Philip Shipway | Assistant Director |
Sound | Leslie Hodgson | Sound Editor |
Sound | Peter Handford | Sound Recordist |
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