A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.
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Sound | Jerome Moross | Original Music Composer |
Editing | Louis R. Loeffler | Editor |
Writing | Henry Morton Robinson | Novel |
Art | Gene Callahan | Set Decoration |
Directing | Otto Preminger | Director |
Camera | Leon Shamroy | Director of Photography |
Production | Otto Preminger | Producer |
Writing | Robert Dozier | Screenplay |
Art | Lyle R. Wheeler | Production Design |
Production | Martin C. Schute | Associate Producer |
Production | Bill Barnes | Casting |
Costume & Make-Up | Donald Brooks | Costume Design |
Costume & Make-Up | Frederic Jones | Hairdresser |
Production | Henry Weinberger | Production Manager |
Sound | Peter Thornton | Sound Effects Editor |
Costume & Make-Up | Maurice Seiderman | Makeup Artist |
Directing | Hermann Leitner | Assistant Director |
Sound | Walter Goss | Sound |
Art | Tom Frewer | Property Master |
Sound | Morris Feingold | Sound |
Writing | Ring Lardner, Jr. | Screenplay |
Production | Eva Monley | Production Manager |
Directing | Bryan Coates | Assistant Director |
Art | Art Cole | Property Master |
Production | Guy Luongo | Production Manager |
Production | Paul Waldherr | Production Manager |
Directing | Roberto Fizz | Assistant Director |
Directing | Bob Vietro | Assistant Director |
Sound | Harold Lewis | Sound |
Production | Harrison Starr | Production Manager |
Directing | Erich von Stroheim Jr. | Assistant Director |
Directing | Joe Marks | Second Assistant Director |
Costume & Make-Up | Dick Smith | Makeup Artist |
Art | Otto Niedermoser | Art Direction |
Costume & Make-Up | Robert Jiras | Makeup Artist |
Art | Fred Bockstahler | Construction Grip |
Sound | Red Law | Sound |
Directing | Gerry O'Hara | Assistant Director |
Art | Italo Tomassi | Painter |
Lighting | Fred Hall | Gaffer |
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