A man wakes up in an alley, bleeding and with no memory of who he is. He stumbles into a coffee shop and is befriended by a charitable ex-nun who is failing in her attempts to write marketable pornography.
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Writing | Hal Hartley | Writer |
Directing | Hal Hartley | Director |
Art | Amy Tapper | Set Decoration |
Sound | Hal Hartley | Music |
Production | Billy Hopkins | Casting |
Art | Joyce Pierpoline | Art Department Coordinator |
Editing | Steve Hamilton | Editor |
Art | Steve Rosenzweig | Production Design |
Art | Jennifer Baime | Set Decoration |
Production | Ted Hope | Producer |
Art | Ginger Tougas | Art Direction |
Production | Hal Hartley | Producer |
Sound | Jeffrey Taylor | Music |
Costume & Make-Up | Alexandra Welker | Costume Design |
Camera | Richard Ludwig | Still Photographer |
Camera | Michael Spiller | Director of Photography |
Directing | Gregory Jacobs | First Assistant Director |
Art | Linda Harvey | Construction Coordinator |
Sound | Paul Koronkiewicz | Boom Operator |
Sound | Jeff Pullman | Sound Mixer |
Production | Kerry Barden | Casting Assistant |
Costume & Make-Up | Marjorie Durand | Key Makeup Artist |
Art | Sarah Lavery | Props |
Camera | Danya Reich | Second Assistant Camera |
Directing | Allen Kupetsky | Second Assistant Director |
Sound | Jeanne Gilliland | Boom Operator |
Crew | Brian Maxwell | Transportation Captain |
Crew | Lilene Mansell | Dialect Coach |
Art | Constance Van Flandern | Set Propsman |
Lighting | Joe Stubblefield | Electrician |
Production | Jerome Brownstein | Executive Producer |
Production | Suzanne Smith Crowley | Casting |
Camera | Leonard Freed | Additional Still Photographer |
Camera | Storn Peterson | First Assistant Camera |
Crew | Ron Petruccione | Stunts |
Camera | Bart Blaise | Second Assistant Camera |
Lighting | Richard Breen | Best Boy Electric |
Costume & Make-Up | Judy Chin | Makeup Artist |
Production | Christopher Goode | Production Manager |
Crew | Susan Blume | Scenic Artist |
Crew | Phil Neilson | Stunt Coordinator |
Costume & Make-Up | Kathryn Nixon | Assistant Costume Designer |
Editing | Alex Albanese | First Assistant Editor |
Production | Eddy Collyns | Location Manager |
Art | Randall Balsmeyer | Title Designer |
Production | Lindsay Law | Executive Producer |
Costume & Make-Up | Marina Marit | Wardrobe Supervisor |
Production | Andrew Saxe | Assistant Location Manager |
Sound | Reilly Steele | Sound Re-Recording Mixer |
Camera | Paul Candrilli | Key Grip |
Lighting | Frank Stubblefield | Gaffer |
Art | David Doernberg | Property Master |
Production | Paul C. Arianas | Assistant Production Coordinator |
Production | Scott Meek | Executive Producer |
Production | Rob Cosentino | Art Department Production Assistant |
Crew | Drew Jiritano | Special Effects |
Crew | Ron Petruccione | Special Effects |
Lighting | Linda Phillips | Electrician |
Editing | Susan Littenberg | Assistant Editor |
Crew | Rick Washburn | Weapons Master |
Production | Victoria McGarry | Production Coordinator |
Production | Greg White | Production Assistant |
Crew | Fliss Coombs | Unit Publicist |
Crew | Roger Kass | Legal Services |
Production | Yves Marmion | Executive Producer |
Camera | Paul Nickason | Dolly Grip |
Production | Jocelyn Jansons | Location Assistant |
Production | Erik L. Barnes | Production Assistant |
Directing | Robert C. Albertell | Third Assistant Director |
Sound | Marko Costanzo | Foley Artist |
Sound | Susan Littenberg | Sound Editor |
Sound | Steve Silkensen | Sound Editor |
Camera | Eric M. Klein | Best Boy Grip |
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