Maria Altmann, an octogenarian Jewish refugee, takes on the Austrian government to recover a world famous painting of her aunt plundered by the Nazis during World War II, she believes rightfully belongs to her family. She did so not just to regain what was rightfully hers, but also to obtain some measure of justice for the death, destruction, and massive art theft perpetrated by the Nazis.
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Editing | Peter Lambert | Editor |
Production | David M. Thompson | Producer |
Production | Kris Thykier | Producer |
Directing | Simon Curtis | Director |
Writing | Alexi Kaye Campbell | Writer |
Production | Gary Davy | Casting |
Art | Andrew Ackland-Snow | Art Direction |
Art | Jim Clay | Production Design |
Production | Jennifer L. Smith | Casting |
Art | Giles Masters | Art Direction |
Production | Deborah Aquila | Casting |
Production | Simone Bär | Casting |
Art | Caty Maxey | Art Direction |
Directing | Rebecca Boyle | Script Supervisor |
Production | Tricia Wood | Casting |
Sound | Hans Zimmer | Original Music Composer |
Sound | Martin Phipps | Original Music Composer |
Camera | Ross Emery | Director of Photography |
Art | Dominic Masters | Supervising Art Director |
Costume & Make-Up | Norma Webb | Key Makeup Artist |
Visual Effects | Mark Holt | Special Effects Supervisor |
Sound | Andrew Glen | Music Editor |
Sound | Maggie Rodford | Music Supervisor |
Sound | Alastair Sirkett | Sound Effects Editor |
Sound | Christoph Bauschinger | Music Editor |
Costume & Make-Up | Norma Webb | Key Hair Stylist |
Sound | Ian Wilson | Supervising Sound Editor |
Directing | San Davey | Script Supervisor |
Visual Effects | Angela Barson | Visual Effects Supervisor |
Costume & Make-Up | Peter Paul | Costume Supervisor |
Visual Effects | Lucy Ainsworth-Taylor | Visual Effects Producer |
Production | Harvey Weinstein | Executive Producer |
Production | Len Blavatnik | Executive Producer |
Production | Bob Weinstein | Executive Producer |
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