In late-1970s suburban London, Chris and Marion have settled into a comfortable yet all-too-predictable middle-class existence. Chris receives an unexpected visit from his free-spirited friend Toni, a reunion that reminds him of a more carefree time in 1960s Paris. Now, with lingering doubts about his marriage bubbling up, Chris must make the choice between revisiting his youthful abandon with Toni or facing the here and now with Marion.
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| Directing | Philip Saville | Director |
| Writing | Adrian Hodges | Writer |
| Editing | Greg Miller | Editor |
| Camera | Jean-François Robin | Director of Photography |
| Art | Don Taylor | Production Design |
| Art | Mark Kebby | Art Direction |
| Art | John Bush | Set Decoration |
| Costume & Make-Up | Jenny Beavan | Costume Design |
| Costume & Make-Up | Beverley Binda | Assistant Makeup Artist |
| Costume & Make-Up | Elaine Nichols | Assistant Makeup Artist |
| Costume & Make-Up | Roseann Samuel | Makeup Designer |
| Sound | Tim Alban | Sound |
| Sound | Julie Ankerson | Foley Editor |
| Sound | Ken Barton | Dialogue Editor |
| Sound | Stuart Davies | Dialogue Editor |
| Sound | Tom Fawcett | Dialogue Editor |
| Sound | Simon Gershon | Sound Effects Editor |
| Sound | Tim Owens | Dialogue Editor |
| Sound | John Pitt | Sound |
| Sound | Jeremy Price | Foley Recordist |
| Sound | Andre Schmidt | Sound Effects Editor |
| Sound | John Sewell | Foley Artist |
| Sound | Brian Simmons | Sound Recordist |
| Sound | Fiona Woolley | Sound Effects Editor |
| Production | Andrew Bendel | Producer |
| Production | Antoine de Clermont-Tonnerre | Co-Producer |
| Production | Martine De Clermont-Tonnerre | Executive Producer |
| Production | François-Xavier Decraene | Line Producer |
| Production | John Wyn Evans | Executive Producer |
| Production | Adrian Hodges | Associate Producer |
| Production | Enrique Posner | Co-Producer |
| Production | Joy Spink | Line Producer |
| Production | Kate Rhodes James | Casting |
| Sound | Roz Colls | Music Supervisor |
| Directing | Susanna Lenton | Script Supervisor |
| Crew | Tom Delmar | Stunt Coordinator |
| Camera | Danny Cohen | Clapper Loader |
| Camera | Simon Finney | Focus Puller |
| Camera | Peter Mountain | Still Photographer |
| Lighting | John Attwood | Electrician |
| Lighting | Eric Baraillon | Electrician |
| Lighting | Tony Burns | Electrician |
| Camera | Paul Englefield | Second Unit Director of Photography |
| Lighting | Ian Franklin | Electrician |
| Camera | Leigh Gold | Focus Puller |
| Camera | Merritt Gold | Focus Puller |
| Lighting | Dave Gray | Standby Rigger |
| Lighting | Gary Parnham | Electrician |
| Camera | Marie-Laure Prost | Focus Puller |
| Camera | Jamie Sewell | Clapper Loader |
| Lighting | Mitch Spooner | Genetator Operator |
| Camera | Roger Tooley | Steadicam Operator |
| Camera | Alf Tramontin | Steadicam Operator |
| Lighting | Richard Vidal | Electrician |
| Lighting | Jimmy Wilson | Gaffer |
| Camera | Andy Young | Grip |
| Lighting | Sean Young | Standby Rigger |
| Directing | William Booker | Second Assistant Director |
| Directing | Nanna Mailand-Mercado | Third Assistant Director |
| Directing | Laurent Soulet | Assistant Director |
| Directing | Guy Travers | First Assistant Director |
| Sound | Guy Fletcher | Musician |
| Writing | Julian Barnes | Novel |
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