The film portrays MacArthur's life from 1942, before the Battle of Bataan, to 1952, the time after he had been removed from his Korean War command by President Truman for insubordination, and is recounted in flashback as he visits West Point.
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Directing | Joseph Sargent | Director |
Writing | Matthew Robbins | Writer |
Writing | Hal Barwood | Writer |
Art | Hal Gausman | Set Decoration |
Crew | Joe Canutt | Stunt Coordinator |
Crew | Mario Tosi | Cinematography |
Art | John J. Lloyd | Production Design |
Production | David Brown | Executive Producer |
Editing | George Jay Nicholson | Editor |
Production | Frank McCarthy | Producer |
Production | Richard D. Zanuck | Executive Producer |
Sound | Jerry Goldsmith | Conductor |
Sound | Jerry Goldsmith | Original Music Composer |
Sound | Arthur Morton | Orchestrator |
Directing | Scott Maitland | First Assistant Director |
Costume & Make-Up | Frank McCoy | Makeup Artist |
Art | Bob Skemp | Greensman |
Sound | James Troutman | Sound Effects Editor |
Sound | George E. Marshall Jr. | Sound |
Crew | Ted Koerner | Special Effects |
Crew | Frank L. Pope | Special Effects |
Crew | Peter Horak | Stunts |
Costume & Make-Up | James Lee McCoy | Makeup Artist |
Directing | Candace Suerstedt | Second Assistant Director |
Sound | Dennis C. Salcedo | Sound |
Directing | Don Zepfel | Second Assistant Director |
Crew | Kim Kahana | Stunts |
Crew | Branscombe Richmond | Stunts |
Production | Ernest B. Wehmeyer | Unit Production Manager |
Art | Kurt V. Hulett | Set Dresser |
Sound | Robert L. Hoyt | Sound |
Sound | Don Sharpless | Sound |
Crew | Walter Robles | Stunts |
Directing | Charles Norton | Second Assistant Director |
Costume & Make-Up | Larry Harmell | Costume Design |
Crew | Jimmy Nickerson | Stunts |
Visual Effects | Albert Whitlock | Visual Effects |
Costume & Make-Up | Michael Corsentino | Hairstylist |
Production | James Nicholson | Unit Production Manager |
Crew | Bob Minor | Stunts |
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