Betty has a crush on her tennis instructor Mike. He promises to call her for a date, but never does – she doesn’t know he sells drugs on the side. After botching a deal on someone else’s turf, Mike has to disappear for a while. He contacts Betty – then he’s killed before they can meet. Betty tries to find out what happened, leading her straight into a hornet's nest of vice.
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| Directing | James Bridges | Director |
| Writing | James Bridges | Writer |
| Directing | James Dillon | Second Second Assistant Director |
| Art | Robert Bonino | Construction Foreman |
| Art | Ken Peterson | Assistant Property Master |
| Camera | Charles Minsky | Camera Operator |
| Sound | Marvin E. Lewis | Boom Operator |
| Art | Jerry Moss | Property Master |
| Art | Robert Krume | Construction Coordinator |
| Costume & Make-Up | Jennifer Stone | Wardrobe Master |
| Sound | Gordon Ecker | Sound Editor |
| Sound | Nicholas Korda | ADR Editor |
| Lighting | Ross A. Maehl | Gaffer |
| Lighting | Michael J. Schwartz | Lighting Technician |
| Editing | Donah Bassett | Negative Cutter |
| Sound | John LaSalandra | Music Editor |
| Crew | Joel Marrow | Transportation Coordinator |
| Camera | Gene Kearney | Key Grip |
| Directing | Victoria E. Rhodes | Assistant Director Trainee |
| Sound | Robert Bradshaw | Sound Editor |
| Sound | Samuel C. Crutcher | Sound Editor |
| Crew | Robert W. Harris | Cableman |
| Camera | Peter Sorel | Still Photographer |
| Camera | Mario Zavala | Assistant Camera |
| Sound | Willie D. Burton | Sound Mixer |
| Sound | Donald Ortiz | Assistant Sound Editor |
| Editing | Aubrey Head | Color Timer |
| Sound | Denise Horta | Sound Editor |
| Sound | Lawrence Jordan | Sound Editor |
| Sound | David Williams | Apprentice Sound Editor |
| Directing | Marty P. Ewing | Second Assistant Director |
| Sound | Richard Beggs | Sound Mixer |
| Sound | Stan Gilbert | Dialogue Editor |
| Sound | Bob Newlan | Sound Editor |
| Sound | Becky Mancuso-Winding | Music Supervisor |
| Sound | Leonard Wolf Jr. | Assistant Sound Editor |
| Production | Douglas E. Stoll | Location Manager |
| Costume & Make-Up | April Ferry | Costume Supervisor |
| Sound | John Roesch | Foley Artist |
| Editing | Kimberly Ray | Assistant Editor |
| Sound | Cliff Kohlweck | Music Editor |
| Costume & Make-Up | Mort Schwartz | Wardrobe Master |
| Sound | Randy Kelley | Sound Editor |
| Art | Bill Gay | Leadman |
| Sound | Michael Minkler | Sound Mixer |
| Lighting | Robert Jason | Best Boy Electrician |
| Crew | Bruce Mattox | Special Effects |
| Sound | Lon Bender | Sound Editor |
| Camera | Donald L. Hartley | Dolly Grip |
| Camera | Bob Munoz | Best Boy Grip |
| Crew | Steve Bonner | Driver |
| Sound | Joe Jackson | Original Music Composer |
| Directing | Albert M. Shapiro | First Assistant Director |
| Art | Ray Villalobos Sr. | Paint Coordinator |
| Sound | Norval D. Crutcher | Sound Editor |
| Sound | Juno J. Ellis | ADR Editor |
| Production | Kelliann Ladd | Location Assistant |
| Crew | Charles Enzen | Transportation Captain |
| Sound | Larry Singer | Dialogue Editor |
| Sound | Greg Orloff | Foley Mixer |
| Editing | Rick Fields | Assistant Editor |
| Directing | Marshall Schlom | Script Supervisor |
| Editing | Dede Allen | Editor |
| Costume & Make-Up | Lynda Gurasich | Hairstylist |
| Production | James Bridges | Producer |
| Sound | John Barry | Original Music Composer |
| Production | Wallis Nicita | Casting |
| Production | Jack Larson | Associate Producer |
| Art | Peter Jamison | Production Design |
| Art | Hub Braden | Art Direction |
| Costume & Make-Up | Mark Reedall | Makeup Artist |
| Production | Kim Kurumada | Unit Production Manager |
| Production | Kim Kurumada | Executive Producer |
| Editing | Jeff Gourson | Editor |
| Art | R. Chris Westlund | Set Decoration |
| Camera | Reynaldo Villalobos | Director of Photography |
| Costume & Make-Up | April Ferry | Costume Design |
| Camera | James R. Bagdonas | Assistant Camera |
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