After Faye and her psychotic boyfriend, Vince, successfully rob a mob courier, Faye decides to abscond with the loot. She heads to Reno, where she hires feckless private investigator Jack Andrews to help fake her death. He pulls the scheme off and sets up Faye with a new identity, only to have her skip out on him without paying. Jack follows her to Vegas and learns he's not the only one after her. Vince has discovered that she's still alive.
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| Directing | John Dahl | Director |
| Writing | David W. Warfield | Writer |
| Writing | John Dahl | Writer |
| Crew | Danny Costa | Stunts |
| Crew | Wally Rose | Stunts |
| Crew | Debbie Lynn Ross | Stunts |
| Crew | Rick Sawaya | Stunts |
| Crew | Cherie Tash | Stunts |
| Production | Danielle Liekefet | Production Coordinator |
| Production | Scott Cameron | Associate Producer |
| Camera | Richard Osborn Jr. | First Assistant Camera |
| Sound | Craig Felburg | Sound Mixer |
| Sound | Bill V. Robbins | Sound Mixer |
| Sound | Cameron Hamza | Boom Operator |
| Art | Molly Flanegin | Assistant Set Decoration |
| Art | Laurie Dalton | Property Master |
| Art | Deana Albers | Assistant Property Master |
| Camera | Beth Jana Friedberg | Second Unit Director of Photography |
| Crew | Ute Leonhardt | Post Production Supervisor |
| Crew | Danielle Liekefet | Post Production Supervisor |
| Sound | Barry Rubinow | Supervising Sound Editor |
| Sound | Peter Austin | Supervising Sound Editor |
| Sound | Edmund J. Lachmann | Supervising Dialogue Editor |
| Sound | Folmer Wiesinger | Sound Editor |
| Sound | Paul A. Sharpe | Sound Re-Recording Mixer |
| Sound | Don Digirolamo | Sound Re-Recording Mixer |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Crew | Carla Meyer | Dialect Coach |
| Production | Bonnie Sills | Location Manager |
| Production | Robin Ginsberg | Production Accountant |
| Production | Robert A. Neft | Assistant Location Manager |
| Crew | Brian N. Everett | Transportation Coordinator |
| Sound | Shirley Walker | Conductor |
| Sound | Doug Botnick | Scoring Mixer |
| Production | Steve Golin | Producer |
| Production | David W. Warfield | Producer |
| Production | Michael Kuhn | Executive Producer |
| Production | Carol Lewis | Associate Producer |
| Production | Jay Roewe | Line Producer |
| Production | Sigurjón Sighvatsson | Producer |
| Production | Nigel Sinclair | Executive Producer |
| Sound | William Olvis | Music |
| Production | Eric L. Beason | Casting |
| Editing | Frank E. Jimenez | Editor |
| Editing | Eric L. Beason | Editor |
| Editing | Jonathan P. Shaw | Editor |
| Production | Carol Lewis | Casting |
| Art | Michelle Minch | Production Design |
| Art | Kate J. Sullivan | Set Decoration |
| Costume & Make-Up | Terry Dresbach | Costume Design |
| Camera | Jacques Steyn | Director of Photography |
| Camera | Mike Hodges | Key Grip |
| Lighting | David Hayball | Gaffer |
| Directing | Robert Tinnell | Second Unit Director |
| Costume & Make-Up | Lizbeth Williamson | Makeup Artist |
| Costume & Make-Up | Fríða Aradóttir | Hairstylist |
| Directing | Nancy Karlin | Script Supervisor |
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