After Faye and her psychotic boyfriend, Vince, successfully rob a mob courier, Faye decides to abscond with the loot. She heads to Reno, where she hires feckless private investigator Jack Andrews to help fake her death. He pulls the scheme off and sets up Faye with a new identity, only to have her skip out on him without paying. Jack follows her to Vegas and learns he's not the only one after her. Vince has discovered that she's still alive.
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| Directing | John Dahl | Director |
| Writing | John Dahl | Writer |
| Writing | David W. Warfield | Writer |
| Production | Scott Cameron | Associate Producer |
| Art | Molly Flanegin | Assistant Set Decoration |
| Crew | Danny Costa | Stunts |
| Art | Laurie Dalton | Property Master |
| Camera | Beth Jana Friedberg | Second Unit Director of Photography |
| Crew | Wally Rose | Stunts |
| Crew | Ute Leonhardt | Post Production Supervisor |
| Production | Danielle Liekefet | Production Coordinator |
| Crew | Cherie Tash | Stunts |
| Sound | Barry Rubinow | Supervising Sound Editor |
| Crew | Rick Sawaya | Stunts |
| Sound | Cameron Hamza | Boom Operator |
| Art | Deana Albers | Assistant Property Master |
| Crew | Danielle Liekefet | Post Production Supervisor |
| Sound | Peter Austin | Supervising Sound Editor |
| Camera | Richard Osborn Jr. | First Assistant Camera |
| Crew | Debbie Lynn Ross | Stunts |
| Sound | Craig Felburg | Sound Mixer |
| Sound | Bill V. Robbins | Sound Mixer |
| Crew | Carla Meyer | Dialect Coach |
| Sound | Paul A. Sharpe | Sound Re-Recording Mixer |
| Production | Robin Ginsberg | Production Accountant |
| Sound | Folmer Wiesinger | Sound Editor |
| Crew | Brian N. Everett | Transportation Coordinator |
| Sound | Shirley Walker | Conductor |
| Sound | Doug Botnick | Scoring Mixer |
| Sound | Edmund J. Lachmann | Supervising Dialogue Editor |
| Sound | Don Digirolamo | Sound Re-Recording Mixer |
| Production | Robert A. Neft | Assistant Location Manager |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Production | Bonnie Sills | Location Manager |
| Production | Sigurjón Sighvatsson | Producer |
| Production | Eric L. Beason | Casting |
| Production | Michael Kuhn | Executive Producer |
| Production | Jay Roewe | Line Producer |
| Production | Nigel Sinclair | Executive Producer |
| Production | David W. Warfield | Producer |
| Production | Carol Lewis | Associate Producer |
| Editing | Frank E. Jimenez | Editor |
| Art | Kate J. Sullivan | Set Decoration |
| Sound | William Olvis | Music |
| Production | Steve Golin | Producer |
| Editing | Jonathan P. Shaw | Editor |
| Editing | Eric L. Beason | Editor |
| Production | Carol Lewis | Casting |
| Costume & Make-Up | Terry Dresbach | Costume Design |
| Art | Michelle Minch | Production Design |
| Camera | Jacques Steyn | Director of Photography |
| Costume & Make-Up | Fríða Aradóttir | Hairstylist |
| Camera | Mike Hodges | Key Grip |
| Directing | Robert Tinnell | Second Unit Director |
| Lighting | David Hayball | Gaffer |
| Costume & Make-Up | Lizbeth Williamson | Makeup Artist |
| Directing | Nancy Karlin | Script Supervisor |
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