In 1968 California, a Marine officer's wife falls in love with a former high school classmate who suffered a paralyzing combat injury in the war.
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Writing | Nancy Dowd | Story |
Directing | Hal Ashby | Director |
Writing | Waldo Salt | Screenplay |
Writing | Robert C. Jones | Screenplay |
Camera | Haskell Wexler | Director of Photography |
Production | Spencer Quinn | Location Manager |
Sound | Pat Suraci | Boom Operator |
Sound | George Brand | Music Editor |
Costume & Make-Up | Lynda Gurasich | Hairstylist |
Camera | Donald E. Thorin | Camera Operator |
Production | Charles Mulvehill | Production Manager |
Camera | Sidney Ray Baldwin | Still Photographer |
Art | George Gaines | Set Decoration |
Costume & Make-Up | Gary Liddiard | Makeup Artist |
Sound | Jeff Wexler | Sound Mixer |
Crew | Michael Maslansky | Unit Publicist |
Art | Alan Levine | Property Master |
Directing | Charles Myers | First Assistant Director |
Sound | Frank E. Warner | Sound Editor |
Art | James L. Schoppe | Assistant Art Director |
Camera | Clyde Hart | Key Grip |
Directing | June Samson | Script Supervisor |
Directing | Jim Bloom | Second Assistant Director |
Lighting | Gary Holt | Gaffer |
Production | Jerome Hellman | Producer |
Production | Lynn Stalmaster | Casting |
Costume & Make-Up | Ann Roth | Costume Design |
Editing | Don Zimmerman | Editor |
Art | Michael D. Haller | Production Design |
Production | Bruce Gilbert | Associate Producer |
Camera | Richard A. Mention | Second Assistant Camera |
Production | Ken Ryan | Production Accountant |
Sound | Robert 'Buzz' Knudson | Sound Re-Recording Mixer |
Production | Sally Dennison | Additional Casting |
Crew | Michael Jacobs | Technical Advisor |
Camera | Craig Denault | First Assistant Camera |
Art | Dan Perri | Title Designer |
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