Infatuated with the idea of becoming rich, college student Jonathan Corliss secretly dates Dorothy Carlsson to gain the approval of her wealthy father. When Dorothy tells Jonathan that she is pregnant and that her father will deny her inheritance if he finds out, Jonathan murders her, but he stages her death as a suicide. As Jonathan works his way onto Mr. Carlsson's payroll, Dorothy's twin sister, Ellen, investigates the apparent suicide.
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| Directing | James Dearden | Director |
| Writing | James Dearden | Screenplay |
| Crew | G.A. Aguilar | Stunts |
| Crew | Greg Powell | Stunts |
| Crew | Mike Potter | Stunts |
| Writing | Ira Levin | Novel |
| Camera | Mike Southon | Director of Photography |
| Art | Jim Clay | Production Design |
| Production | Suzanne Smith Crowley | Casting |
| Production | Billy Hopkins | Casting |
| Editing | Michael Bradsell | Editor |
| Production | Robert Lawrence | Producer |
| Costume & Make-Up | John Dods | Makeup Artist |
| Camera | Philip Sindall | Camera Operator |
| Sound | Ian Voigt | Sound Recordist |
| Camera | Ian Jackson | Focus Puller |
| Crew | Graeme Crowther | Stunts |
| Crew | Tracey Eddon | Stunts |
| Directing | Tim Lewis | Second Assistant Director |
| Camera | Mark Milsome | Clapper Loader |
| Camera | Malcolm Sheehan | Grip |
| Crew | Cliff Cudney | Stunts |
| Production | Tania Windsor | Production Coordinator |
| Production | Suzanne Smith | Casting Associate |
| Directing | Julia Waye | Third Assistant Director |
| Directing | Julie Robinson | Script Supervisor |
| Crew | Martin Grace | Stunts |
| Directing | Patrick Clayton | First Assistant Director |
| Production | Bobbie Johnson | Production Accountant |
| Production | Mary Richards | Production Manager |
| Production | Bill Darby | Assistant Location Manager |
| Costume & Make-Up | Jo Korer | Wardrobe Master |
| Crew | Helen Caldwell | Stunts |
| Crew | Hugh Aodh O'Brien | Stunts |
| Sound | Campbell Askew | Sound Editor |
| Crew | Jery Hewitt | Stunts |
| Production | Guy Tannahill | Location Manager |
| Production | Tarn Harper | Assistant Accountant |
| Lighting | Micky Brown | Gaffer |
| Art | Stephenie McMillan | Set Dresser |
| Costume & Make-Up | Martin Samuel | Hairdresser |
| Costume & Make-Up | Ken Crouch | Wardrobe Supervisor |
| Costume & Make-Up | Hilary Watson | Assistant Costume Designer |
| Crew | Susan d'Arcy | Unit Publicist |
| Sound | Howard Shore | Conductor |
| Art | Jo Graysmark | Art Department Assistant |
| Sound | Gerard McCann | Assistant Sound Editor |
| Camera | David Appleby | Still Photographer |
| Directing | Diana Dill | Continuity |
| Sound | Robert Gavin | Assistant Dialogue Editor |
| Art | Tessa Harrison | Assistant Art Director |
| Editing | Natalie Baker | Assistant Editor |
| Sound | Kevin Brazier | Dialogue Editor |
| Art | Dave Reilly | Property Master |
| Costume & Make-Up | Peter Frampton | Makeup Supervisor |
| Sound | John Hayward | Sound Mixer |
| Lighting | Bill Thornhill | Best Boy Electric |
| Costume & Make-Up | Sue Love | Hairdresser |
| Production | Melissa Wyn Griffith | Production Secretary |
| Sound | Homer Denison | Orchestrator |
| Sound | Graham Sutton | Music Editor |
| Art | Roy Evans | Construction Manager |
| Crew | Donna Evans | Stunts |
| Art | Paul Bradburn | Props |
| Production | Eric Fellner | Executive Producer |
| Production | Paul Raphael | Associate Producer |
| Costume & Make-Up | Marit Allen | Costume Design |
| Art | Catherine Davis | Set Decoration |
| Art | Rod McClean | Art Direction |
| Art | Chris Seagers | Art Direction |
| Production | Chris Thompson | Associate Producer |
| Crew | Eddie Powell | Stunts |
| Sound | Howard Shore | Original Music Composer |
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