Survivors of a tragic shipping collision are rescued by a mysterious black ship which appears out of the fog. Little do they realise that the ship is actually a Nazi torture ship which has sailed the seas for years, luring unsuspecting sailors aboard and killing them off one by one.
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| Camera | Norman Smith | Key Grip |
| Directing | Alvin Rakoff | Director |
| Camera | René Verzier | Director of Photography |
| Production | Harold Greenberg | Producer |
| Sound | Ivor Slaney | Original Music Composer |
| Writing | John Robins | Screenplay |
| Writing | David P. Lewis | Story |
| Art | Chris Burke | Production Design |
| Editing | Mike Campbell | Editor |
| Art | Michel Proulx | Art Direction |
| Production | Derek Gibson | Producer |
| Production | Larry Nesis | Associate Producer |
| Writing | Jack Hill | Story |
| Art | Frances Calder | Property Buyer |
| Sound | David Appleby | Sound Re-Recording Mixer |
| Art | Pierre Gelinas | Assistant Art Director |
| Costume & Make-Up | Pierre David | Hairdresser |
| Sound | Terry Burke | Sound Effects |
| Art | David Phillips | Props |
| Camera | André Ouellette | Grip |
| Crew | Michael Dalling | Unit Publicist |
| Directing | Charles Braive | First Assistant Director |
| Art | Jim Hodgson | Property Buyer |
| Sound | Austin Grimaldi | Sound Re-Recording Mixer |
| Sound | Michele Moses | Sound Effects |
| Costume & Make-Up | Joan Isaacson | Makeup Artist |
| Sound | Andy Malcolm | Sound Effects |
| Sound | Normand Mercier | Boom Operator |
| Crew | Michael Albrechtsen | Special Effects |
| Crew | Peter Hughes | Special Effects |
| Costume & Make-Up | Huguette Roy | Hairdresser |
| Production | Roger Héroux | Production Manager |
| Production | Norman Smith | Casting |
| Directing | June Randall | Script Supervisor |
| Crew | Jean Louis Bibeau | Technical Advisor |
| Production | Adrian Hughes | Production Supervisor |
| Sound | Steven Cole | Sound Effects |
| Art | Andre Brochu | Construction Foreman |
| Sound | William Trent | Sound Effects Editor |
| Art | Norman Simpson | Property Master |
| Sound | Don White | Foley Recording Engineer |
| Camera | Frank Connor | Still Photographer |
| Sound | Henri Blondeau | Sound Mixer |
| Directing | Pedro Gandol | Second Assistant Director |
| Crew | Grant Page | Stunt Coordinator |
| Camera | Paul Gravel | Assistant Camera |
| Production | Ingrid Fischer | Casting |
| Production | Anna St. Johns | Casting |
| Crew | Joy Berger | Unit Publicist |
| Production | Michael Bennett | Unit Manager |
| Camera | Frank Lenk | Camera Operator |
| Costume & Make-Up | Gaudeline Sauriol | Dresser |
| Editing | Yurij Luhovy | Assistant Editor |
| Production | Monique Brasseur | Production Assistant |
| Production | Don Carmody | Production Executive |
| Crew | Jacques Vezina | Technical Advisor |
| Editing | Jean-Pol Passet | Assistant Editor |
| Directing | Linda Browne | Script Supervisor |
| Production | Nancy Mayer | Production Assistant |
| Crew | Dave Novak | Unit Publicist |
| Crew | Captain Pelletier | Technical Advisor |
| Crew | Leon Vezina | Technical Advisor |
| Camera | Greg Daniels | Best Boy Grip |
| Camera | Denis Gingras | Assistant Camera |
| Costume & Make-Up | Paul-André Guérin | Dresser |
| Production | Victoria Barney | Production Assistant |
| Lighting | Michel Paul Bélisle | Chief Lighting Technician |
| Camera | John Palmer | Camera Operator |
| Production | Micheline D'Andre | Production Assistant |
| Production | Linda Gregory | Production Accountant |
| Camera | Peter Benison | Still Photographer |
| Editing | Greg Glynn | Assistant Editor |
| Production | Shirley Gill | Production Accountant |
| Production | Victoria Mitchell | Casting |
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