England, 1645. The cruel civil war between Royalists and Parliamentarians that is ravaging the country causes an era of chaos and legal arbitrariness that allows unscrupulous men to profit by exploiting the absurd superstitions of the peasants; like Matthew Hopkins, a monster disguised as a man who wanders from town to town offering his services as a witch hunter.
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Directing | Michael Reeves | Director |
Writing | Ronald Bassett | Novel |
Sound | Paul Ferris | Conductor |
Art | Peter Sheilds | Assistant Art Director |
Production | Euan Person | Location Manager |
Editing | Marion Curren | Assistant Editor |
Writing | Michael Reeves | Screenplay |
Production | Philip Waddilove | Producer |
Production | Louis M. Heyward | Producer |
Camera | Brian Elvin | Camera Operator |
Crew | Roger Dicken | Special Effects |
Production | Arnold L. Miller | Producer |
Editing | Howard Lanning | Editor |
Sound | Dennis Lanning | ADR & Dubbing |
Art | Jim Morahan | Art Direction |
Camera | John Coquillon | Director of Photography |
Camera | Gerry Anstiss | Camera Operator |
Costume & Make-Up | Henry Montsash | Hairstylist |
Lighting | Laurie Shane | Gaffer |
Costume & Make-Up | Dorrie Hamilton | Makeup Artist |
Directing | Lorna Selwyn | Continuity |
Crew | Louis M. Heyward | Additional Writing |
Production | Ricky Coward | Production Manager |
Writing | Tom Baker | Screenplay |
Art | Sid Davies | Property Master |
Production | Freddie Vale | Casting Director |
Directing | Ian Goddard | Assistant Director |
Art | Jimmy James | Set Dresser |
Art | Freddie Harrison | Property Master |
Camera | Jack Dooley | Still Photographer |
Directing | Iain Lawrence | Assistant Director |
Production | Tony Tenser | Executive Producer |
Sound | Paul Le Mare | Sound Recordist |
Camera | Freddie Williams | Grip |
Sound | Hugh Strain | Sound Mixer |
Sound | Paul Ferris | Original Music Composer |
Costume & Make-Up | Jill Thomson | Wardrobe Supervisor |
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