A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.
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| Directing | John Byrum | Director |
| Art | John Allenby | Property Master |
| Art | Terry Apsey | Construction Manager |
| Sound | Derek Ball | Sound Mixer |
| Directing | Mike Higgins | Second Assistant Director |
| Sound | Bill Rowe | Sound Mixer |
| Art | Reg Wheeler | Property Master |
| Sound | Ken Nightingall | Boom Operator |
| Directing | Barry Langley | Assistant Director |
| Sound | Ian Fuller | Sound Editor |
| Production | Bobby Blues | Production Accountant |
| Camera | Ray Hall | Grip |
| Camera | John Harris | Camera Operator |
| Costume & Make-Up | Richard Pointing | Wardrobe Supervisor |
| Crew | Edna Tromans | Unit Publicist |
| Editing | Colin Berwick | Assistant Editor |
| Directing | Zelda Barron | Continuity |
| Lighting | Laurie Shane | Gaffer |
| Art | John Clark | Art Direction |
| Editing | Michael Bradsell | Editor |
| Camera | Denys N. Coop | Director of Photography |
| Production | Clive Parsons | Producer |
| Production | Davina Belling | Producer |
| Costume & Make-Up | Shirley Russell | Costume Design |
| Production | Miriam Brickman | Casting |
| Production | Harry Benn | Associate Producer |
| Art | Josie MacAvin | Set Decoration |
| Costume & Make-Up | Pat McDermott | Hairstylist |
| Costume & Make-Up | Robin Grantham | Makeup Artist |
| Sound | Jessica Harper | Music Consultant |
| Camera | David Wynn-Jones | Focus Puller |
| Writing | John Byrum | Screenplay |
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