Set backstage at three iconic product launches and ending in 1998 with the unveiling of the iMac, Steve Jobs takes us behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter.
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Writing | Aaron Sorkin | Writer |
Directing | Danny Boyle | Director |
Sound | Daniel Pemberton | Original Music Composer |
Production | Bernard Bellew | Executive Producer |
Production | Mark Gordon | Producer |
Production | Jason Sack | Co-Producer |
Production | Christian Colson | Producer |
Production | Guymon Casady | Producer |
Production | Danny Boyle | Producer |
Production | Scott Rudin | Producer |
Art | Guy Hendrix Dyas | Production Design |
Art | Gene Serdena | Set Decoration |
Writing | Walter Isaacson | Book |
Production | Francine Maisler | Casting |
Art | Peter Borck | Art Direction |
Camera | Alwin H. Küchler | Director of Photography |
Production | Kathleen M. Courtney | Unit Production Manager |
Costume & Make-Up | Suttirat Anne Larlarb | Costume Design |
Camera | François Duhamel | Still Photographer |
Directing | Rebecca Robertson | Script Supervisor |
Production | Melissa Kostenbauder | Casting Associate |
Production | Nina Henninger | Casting |
Crew | Edd Gamlin | Visual Effects Editor |
Crew | John McLeod | Special Effects Coordinator |
Sound | Laurence Love Greed | Music Editor |
Sound | Glenn Freemantle | Sound Designer |
Art | Kelli Lundy | Art Department Coordinator |
Costume & Make-Up | Leslie Weir | Costume Supervisor |
Camera | Steve Condiotti | Camera Operator |
Sound | Danny Freemantle | Sound Effects Editor |
Costume & Make-Up | Amanda Ramirez | Set Costumer |
Visual Effects | Helen Streeter | Visual Effects Coordinator |
Camera | Randall Love | Camera Operator |
Sound | Dillon Bennett | Sound Effects Editor |
Camera | Jarid S. Johnson | Camera Operator |
Editing | Andrew Jadavji | First Assistant Editor |
Costume & Make-Up | Yvette Rivas | Key Hair Stylist |
Sound | Lisa Pinero | Sound Mixer |
Visual Effects | Tim Caplan | Visual Effects Producer |
Editing | Begoña Lopez | Digital Intermediate |
Production | Sarah Kliban | Casting Associate |
Sound | Rael Jones | Music Editor |
Costume & Make-Up | Andrea Cooper | Set Costumer |
Camera | Geoffrey Haley | Steadicam Operator |
Editing | Joshua Raymond Lee | First Assistant Editor |
Editing | Emily Streetz | First Assistant Editor |
Costume & Make-Up | Ivana Primorac | Hair Designer |
Costume & Make-Up | Gretchen Davis | Makeup Artist |
Visual Effects | Adam Gascoyne | Visual Effects Supervisor |
Camera | Patrick McArdle | First Assistant Camera |
Lighting | John Lacy | Rigging Gaffer |
Sound | Niv Adiri | Sound Re-Recording Mixer |
Costume & Make-Up | Ivana Primorac | Makeup Designer |
Camera | Gregory Irwin | First Assistant Camera |
Sound | Peter Burgis | Foley |
Sound | Glenn Freemantle | Supervising Sound Editor |
Art | Luke Freeborn | Supervising Art Director |
Production | Chris Baugh | Location Manager |
Crew | Susan Hegarty | Dialect Coach |
Sound | Gillian Dodders | Supervising ADR Editor |
Sound | Gillian Dodders | Supervising Dialogue Editor |
Production | Bernard Bellew | Unit Production Manager |
Editing | Elliot Graham | Editor |
Sound | James Wichall | Dialogue Editor |
Costume & Make-Up | Chris Proctor | Costumer |
Directing | Peter Dress | Second Assistant Director |
Costume & Make-Up | Lisa Patnoe | Makeup Artist |
Crew | Tania Blunden | Post Production Supervisor |
Costume & Make-Up | Monika Maka | Hairstylist |
Costume & Make-Up | Andrea Pino | Makeup Artist |
Crew | Piper Rovin | Scenic Artist |
Art | Chris Ubick | Property Master |
Production | Lauren Lohman | Associate Producer |
Directing | Donald Murphy | First Assistant Director |
Art | Mark Hitchler | Set Designer |
Costume & Make-Up | Karalynne Fiebig | Hairstylist |
Crew | Lauren Abrams | Scenic Artist |
Costume & Make-Up | Robert Mrazik | Hairstylist |
Art | Emily K. Rolph | Graphic Designer |
Costume & Make-Up | Tess Felix | Hairstylist |
Art | Susan Alegria | Assistant Art Director |
Art | Doug E. Williams | Construction Coordinator |
Costume & Make-Up | Jennifer Tremont | Hairstylist |
Crew | Guy Adan | Unit Publicist |
Sound | Glen Gathard | Foley Mixer |
Camera | Don L. Henderson | Dolly Grip |
Sound | Michael Primmer | Boom Operator |
Camera | Tim Guffin | Second Assistant "B" Camera |
Lighting | Brian Minzlaff | Lighting Technician |
Camera | Gregory M. Childers | Dolly Grip |
Lighting | Evan Jones | Lighting Technician |
Production | Beau Bonneau | Extras Casting |
Sound | Mark Appleby | ADR Mixer |
Sound | Ben Greaves | Boom Operator |
Lighting | Len Levine | Chief Lighting Technician |
Costume & Make-Up | Catherine Gélinas | Key Set Costumer |
Crew | Elise Ganz | Studio Teacher |
Sound | Kasper Pedersen | ADR Recordist |
Sound | Harry Platford | ADR Recordist |
Production | Melanie Parkham | Extras Casting |
Camera | Dave Childers | Key Grip |
Editing | Luke Clare | Assistant Editor |
Sound | Joe Rubel | Music Editor |
Production | Ricky Cuevas | Production Accountant |
Sound | Mark DeSimone | ADR Mixer |
Sound | Robert Malone | Assistant Sound Editor |
Lighting | Ryan J. Calkin | Lighting Technician |
Lighting | Ricky Tayerle | Lighting Technician |
Costume & Make-Up | Deirdre Scully | Key Costumer |
Costume & Make-Up | Nancy Servin | Tailor |
Production | Danielle Schmidt | Production Secretary |
Crew | Phillip Buckley | Set Medic |
Camera | Robert 'Boomer' McCann | Best Boy Grip |
Crew | Bob Delong | Set Medic |
Crew | Carla Meyer | Dialect Coach |
Sound | Zoe Freed | Foley Artist |
Camera | Jeph Folkins | Second Assistant "A" Camera |
Production | Colleen Kenneavy | Extras Casting |
Sound | Alexa Kahn | ADR Recordist |
Sound | Ian Tapp | Sound Re-Recording Mixer |
Sound | Peter Burgis | Foley Artist |
Sound | Peter Hanson | Foley Editor |
Lighting | Sophie Shellenberger | Assistant Chief Lighting Technician |
Crew | Mark Bosia | Set Medic |
Lighting | Oskar Ness | Electrician |
Lighting | Gill Wright | Rigging Grip |
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