While trying to get their lives back on track after the loss of their four year old son, Bryn and Paul Shaw move to the charming old Beacon Apartments. Bryn begins seeing a ghostly little boy skulking around the building. With the help of an eccentric young professor and a tough old beat cop, Bryn tries to uncover the details of the boy's death.
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| Directing | Michael Stokes | Director |
| Writing | Michael Stokes | Writer |
| Production | Sally Helppie | Producer |
| Production | Kathleen Helppie-Shipley | Co-Producer |
| Production | Chris Seay | Casting |
| Camera | Allan Westbrook | Camera Operator |
| Costume & Make-Up | Liz McCracken | Key Hair Stylist |
| Editing | Stephen Lovejoy | Editor |
| Crew | Frank Ceglia | Special Effects Coordinator |
| Directing | Eve Butterly | Script Supervisor |
| Costume & Make-Up | Janet Henry Gershenfeld | Set Costumer |
| Visual Effects | Tom Kendall | Visual Effects Producer |
| Sound | Andy D'Addario | Sound Re-Recording Mixer |
| Sound | John Majkut | Music |
| Crew | Marin Rose | Choreographer |
| Sound | David Barbee | Sound Designer |
| Art | Eric Whitney | Production Design |
| Production | Mary Margiotta | Casting |
| Costume & Make-Up | Janet Lucas Lawler | Costume Design |
| Camera | Brice Reid | First Assistant Camera |
| Crew | Jason Hammond | Property Master |
| Costume & Make-Up | Susan Gaedke McGill | Costume Supervisor |
| Visual Effects | Kurt McKeever | Visual Effects |
| Camera | Kristopher Hardy | First Assistant Camera |
| Camera | Don Reddy | Director of Photography |
| Art | Hilary Kinzler | Art Department Assistant |
| Production | Karen Margiotta | Casting |
| Camera | Bill Matlock | Still Photographer |
| Sound | Paul Longstaffe | Dialogue Editor |
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