An imaginative boy who frequently makes things up witnesses a murder, but can't get his parents or the police to believe him. The only people taking him seriously are the killers - who live upstairs, know that he saw what they did, and are out to permanently silence him.
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Camera | William O. Steiner | Director of Photography |
Sound | Roy Webb | Original Music Composer |
Camera | Robert De Grasse | Director of Photography |
Directing | Ted Tetzlaff | Director |
Editing | Frederic Knudtson | Editor |
Production | Frederic Ullman Jr. | Producer |
Writing | Mel Dinelli | Screenplay |
Production | Dore Schary | Producer |
Writing | Cornell Woolrich | Short Story |
Costume & Make-Up | Mel Berns | Key Makeup Artist |
Costume & Make-Up | Gene Roemer | Makeup Artist |
Directing | Fred Fleck | Assistant Director |
Camera | Frank Williams | Grip |
Sound | Terry Kellum | Sound |
Sound | Earl A. Wolcott | Sound |
Crew | Carl Saxe | Stunts |
Costume & Make-Up | Ruby Felker | Hairstylist |
Production | Dore Schary | Production Executive |
Directing | Earl Harper | Assistant Director |
Sound | C. Bakaleinikoff | Music Director |
Production | Walter Daniels | Production Manager |
Crew | Ken Terrell | Stunts |
Directing | Sal Scoppa Jr. | Assistant Director |
Crew | Russell A. Cully | Special Effects |
Crew | Gertrude Bank | Stand In |
Directing | Bill Shanks | Script Supervisor |
Camera | Mike Graves | Grip |
Camera | Ollie Sigurdson | Still Photographer |
Lighting | S.H. Barton | Gaffer |
Camera | Fred Bentley | Camera Operator |
Art | Harley Miller | Set Decoration |
Art | Albert S. D'Agostino | Art Direction |
Art | Sam Corso | Art Direction |
Art | Darrell Silvera | Set Decoration |
Art | Walter E. Keller | Art Direction |
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