The story of journalist Edward R. Murrow's stand against Senator Joseph McCarthy's anti-communist witch-hunts in the early 1950s.
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Writing | Grant Heslov | Screenplay |
Production | Marc Butan | Executive Producer |
Production | Todd Wagner | Executive Producer |
Production | Chris Salvaterra | Executive Producer |
Production | Jeff Skoll | Executive Producer |
Production | Jennifer Fox | Executive Producer |
Writing | George Clooney | Screenplay |
Production | Ben Cosgrove | Executive Producer |
Costume & Make-Up | Louise Frogley | Costume Design |
Editing | Stephen Mirrione | Editor |
Camera | Robert Elswit | Director of Photography |
Production | Mark Cuban | Executive Producer |
Production | Steven Soderbergh | Executive Producer |
Art | Christa Munro | Art Direction |
Directing | George Clooney | Director |
Production | Grant Heslov | Producer |
Art | Jan Pascale | Set Decoration |
Production | Ellen Chenoweth | Casting |
Art | James D. Bissell | Production Design |
Production | Victor Hadida | Co-Executive Producer |
Production | Simon Franks | Co-Producer |
Production | Kiyotaka Ninomiya | Co-Producer |
Production | Zygi Kamasa | Co-Producer |
Production | Barbara A. Hall | Unit Production Manager |
Production | Samuel Hadida | Co-Executive Producer |
Art | Charlotte Raybourn | Art Department Coordinator |
Camera | John T. Connor | First Assistant "B" Camera |
Editing | Douglas Crise | First Assistant Editor |
Costume & Make-Up | Ron Berkeley | Key Makeup Artist |
Art | Tony Bonaventura | Property Master |
Sound | Curt Schulkey | Sound Re-Recording Mixer |
Sound | Susan Dudeck | Dialogue Editor |
Sound | Pamela Kahn | Foley Artist |
Production | Barbara A. Hall | Co-Producer |
Camera | Michael Kenner | Key Grip |
Sound | Curt Schulkey | Supervising Sound Editor |
Art | Gae S. Buckley | Set Designer |
Crew | Dusty Saunders | Transportation Coordinator |
Sound | Lance Brown | Sound Re-Recording Mixer |
Production | Rachel Tenner | Casting Associate |
Lighting | Simone Perusse | Assistant Chief Lighting Technician |
Camera | Barry Idoine | First Assistant "A" Camera |
Art | Ellis J. Barbacoff | Assistant Property Master |
Lighting | Hank Sheppherd | Key Rigging Grip |
Sound | Randall L. Johnson | Boom Operator |
Sound | Aaron Glascock | Sound Re-Recording Mixer |
Sound | John Joseph Thomas | Sound Effects Editor |
Art | Louise Del Araujo | Leadman |
Camera | Larissa Supplitt | Second Assistant "A" Camera |
Lighting | J. A. Byerly | Rigging Gaffer |
Costume & Make-Up | Lucinda Campbell | Key Costumer |
Costume & Make-Up | Waldo Sanchez | Makeup Department Head |
Costume & Make-Up | Violet Ortiz | Hairstylist |
Production | Tad Driscoll | Production Accountant |
Directing | Melissa V. Barnes | Second Assistant Director |
Camera | Melinda Sue Gordon | Still Photographer |
Costume & Make-Up | Waldo Sanchez | Hair Department Head |
Costume & Make-Up | Carolyn Elias | Hairstylist |
Art | Karen Higgins | Construction Coordinator |
Sound | John Roesch | Foley Artist |
Costume & Make-Up | Joy Zapata | Key Hair Stylist |
Crew | David D. Scott | Video Assist Operator |
Costume & Make-Up | Lynda Foote | Costume Supervisor |
Crew | Jeff Winn | Craft Service |
Sound | Edward Tise | Production Sound Mixer |
Sound | Aaron Glascock | Supervising Sound Editor |
Sound | Oscar Mitt | Assistant Sound Editor |
Camera | Colin Anderson | Camera Operator |
Sound | Rocky Quiroz | Utility Sound |
Lighting | Michael Bauman | Chief Lighting Technician |
Directing | David Webb | First Assistant Director |
Directing | Diane H. Newman | Script Supervisor |
Camera | John Morris | Best Boy Grip |
Sound | Mary Jo Lang | Foley Mixer |
Sound | Alyson Dee Moore | Foley Artist |
Production | Lynne Redding | ADR Voice Casting |
Editing | Gregg Schaublin | Digital Intermediate Producer |
Sound | Scott Morgan | Foley Recordist |
Camera | Jeff Kunkle | Dolly Grip |
Camera | Ryan Piers Williams | Camera Production Assistant |
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