When he's discharged from a military hospital, ex-GI Bob Corey goes on a search for his army buddy Steve Connolly. A reformed crook, Connolly is on the lam from a trumped-up murder rap, and Corey hopes to clear his pal. Tagging along is Army nurse Julie Benson, who has fallen for Corey.
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Directing | Vincent Sherman | Director |
Writing | Lawrence B. Marcus | Story |
Writing | Lawrence B. Marcus | Screenplay |
Writing | Ben Roberts | Screenplay |
Writing | Ivan Goff | Screenplay |
Production | Anthony Veiller | Producer |
Sound | Daniele Amfitheatrof | Original Music Composer |
Camera | Carl E. Guthrie | Director of Photography |
Editing | Thomas Reilly | Editor |
Art | William Wallace | Set Decoration |
Art | Anton Grot | Art Direction |
Costume & Make-Up | Milo Anderson | Costume Design |
Costume & Make-Up | Leah Rhodes | Costume Design |
Costume & Make-Up | Perc Westmore | Makeup Artist |
Costume & Make-Up | Ray Forman | Hairstylist |
Costume & Make-Up | Gene Hibbs | Makeup Artist |
Costume & Make-Up | Nick Marcellino | Makeup Artist |
Costume & Make-Up | Eddie Voight | Makeup Artist |
Production | Don Alvarado | Production Manager |
Directing | James McMahon | Assistant Director |
Sound | Stanley Jones | Sound |
Camera | Frank Bjerring | Still Photographer |
Camera | Louis Jennings | Camera Operator |
Lighting | Vic Johnson | Gaffer |
Costume & Make-Up | Joan Joseff | Other |
Sound | Sidney Cutner | Orchestrator |
Sound | Ray Heindorf | Music Director |
Sound | Leo Shuken | Orchestrator |
Crew | Max Steiner | Additional Music |
Directing | Alma Young | Script Supervisor |
Crew | Maurice Murphy | Dialogue Coach |
Crew | Anthony Redondo | Stand In |
Costume & Make-Up | Alma Armstrong | Hairstylist |
Camera | Herschel Brown | Grip |
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