As the result of a head injury, brilliant computer scientist Harry Benson begins to experience violent seizures. In an attempt to control the seizures, Benson undergoes a new surgical procedure in which a microcomputer is inserted into his brain. The procedure is not entirely successful.
Unfortunately the movie The Terminal Man is not yet available on Netflix. Follow us on Facebook to see when The Terminal Man becomes available on Netflix!
| Writing | Michael Crichton | Novel |
| Writing | Mike Hodges | Screenplay |
| Directing | Mike Hodges | Director |
| Sound | Glenn Gould | Musician |
| Editing | Robert L. Wolfe | Editor |
| Costume & Make-Up | Donald Brooks | Costume Design |
| Art | Marvin March | Set Decoration |
| Costume & Make-Up | Fred Williams | Makeup Artist |
| Production | Mike Hodges | Producer |
| Costume & Make-Up | Sherry Wilson | Hairstylist |
| Costume & Make-Up | Vittorio Nino Novarese | Costume Design |
| Production | Bruce Fowler Jr. | Production Manager |
| Directing | Margaret Tary | Script Supervisor |
| Art | Fred Harpman | Art Direction |
| Costume & Make-Up | Leo Lotito Jr. | Makeup Artist |
| Production | Michael Dryhurst | Associate Producer |
| Production | Nessa Hyams | Casting |
| Camera | Richard H. Kline | Director of Photography |
| Crew | Ron Riner | Driver |
| Art | Herb Rindenow | Leadman |
| Directing | Robert Dijoux | Second Assistant Director |
| Sound | Raul A. Bruce | Boom Operator |
| Production | Jim Martell | Extras Casting |
| Camera | Al Baerthlin | Assistant Camera |
| Camera | Mel Traxel | Still Photographer |
| Production | R. Anthony Brown | Location Manager |
| Production | Dorothy Naja | Production Secretary |
| Directing | Leonard S. Smith Jr. | Second Assistant Director |
| Editing | Joel Cox | Assistant Editor |
| Editing | Jeremy Hume | Assistant Editor |
| Camera | Edward Morey III | Second Assistant Camera |
| Camera | Ronald Vidor | First Assistant Camera |
| Costume & Make-Up | Charles E. James | Wardrobe Master |
| Art | Harold Broner | Construction Coordinator |
| Lighting | Wilbur Kinnett | Gaffer |
| Costume & Make-Up | Edna Taylor | Wardrobe Master |
| Crew | Loren Janes | Stunts |
| Camera | Albert Bettcher | Camera Operator |
| Sound | Dan Wallin | Scoring Mixer |
| Sound | William Randall | Sound |
| Costume & Make-Up | Tye Osward | Wardrobe Master |
| Production | Vernon White | Publicist |
| Directing | Dick Moder | First Assistant Director |
| Crew | Douglas Pettibone | Special Effects |
| Production | Kay Hoff | Production Secretary |
| Art | Willie Wiles | Assistant Property Master |
| Sound | Hugh Strain | Sound Mixer |
| Crew | William Koselka | Technical Advisor |
| Art | Marty Wunderlich | Property Master |
| Camera | Kenneth Adams | Key Grip |
| Crew | Glenn Dunn | Craft Service |
| Sound | Nicholas Stevenson | Sound Editor |
| Sound | Charles Randall | Boom Operator |
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!