Parisian nightclub owner Simone Pistache is known for her performances of the can-can, which attracts the ire of the self-righteous Judge Philipe Forrestier. He hatches a plot to photograph her in the act but ends up falling for her — much to the chagrin of her boyfriend, lawyer François Durnais.
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Costume & Make-Up | Irene Sharaff | Costume Design |
Art | Lyle R. Wheeler | Art Direction |
Art | Jack Martin Smith | Art Direction |
Art | Walter M. Scott | Set Decoration |
Art | Paul S. Fox | Set Decoration |
Editing | Robert L. Simpson | Editor |
Directing | Joseph E. Rickards | Assistant Director |
Costume & Make-Up | Myrl Stoltz | Hairstylist |
Costume & Make-Up | Ben Nye | Makeup Artist |
Art | Tom Keogh | Title Designer |
Sound | Fred Hynes | Recording Supervision |
Sound | W. D. Flick | Sound |
Costume & Make-Up | Tony Duquette | Costume Consultant |
Camera | Leonard Doss | Other |
Production | Saul Chaplin | Associate Producer |
Directing | Walter Lang | Director |
Writing | Dorothy Kingsley | Screenplay |
Writing | Charles Lederer | Screenplay |
Writing | Abe Burrows | Theatre Play |
Production | Jack Cummings | Producer |
Sound | Nelson Riddle | Conductor |
Sound | Nelson Riddle | Music Arranger |
Sound | Bobby Tucker | Vocal Coach |
Writing | Cole Porter | Lyricist |
Sound | Cole Porter | Music |
Camera | William H. Daniels | Director of Photography |
Sound | Cole Porter | Songs |
Crew | Hermes Pan | Choreographer |
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