An LA police officer is murdered in the onion fields outside of Bakersfield. However, legal loopholes could keep his kidnappers from receiving justice, and his partner is haunted by overwhelming survivor's guilt.
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Writing | Joseph Wambaugh | Screenplay |
Production | Walter Coblenz | Producer |
Production | Lynn Stalmaster | Casting |
Editing | John W. Wheeler | Editor |
Sound | Eumir Deodato | Original Music Composer |
Art | Brian Eatwell | Production Design |
Directing | Harold Becker | Director |
Writing | Joseph Wambaugh | Novel |
Camera | Charles Rosher Jr. | Director of Photography |
Crew | Jan Tucker | Craft Service |
Editing | Florence Williamson | Assistant Editor |
Sound | Jim Cook | Sound Re-Recording Mixer |
Directing | Thomas J. Mack | Assistant Director |
Sound | Charles Grenzbach | Sound Re-Recording Mixer |
Camera | Elliot Davis | Camera Operator |
Costume & Make-Up | Bob Mills | Makeup Artist |
Costume & Make-Up | Ed Fincher | Costumer |
Sound | James E. Webb | Sound Mixer |
Sound | Robert L. Harman | Sound Re-Recording Mixer |
Sound | Clark King | Boom Operator |
Camera | Louis Niemeyer | First Assistant Camera |
Lighting | Tim Evans | Gaffer |
Sound | Nicholas C. Washington | Music Editor |
Lighting | Joe Garcia | Best Boy Electric |
Camera | Robert Bennett | Dolly Grip |
Art | Richard C. Goddard | Set Decoration |
Directing | D. Scott Easton | Second Assistant Director |
Art | Gordon Gair | Leadman |
Costume & Make-Up | Edie Panda | Hairstylist |
Production | Robert S. Mendelsohn | Production Manager |
Art | Barry Bedig | Property Master |
Crew | Phil Cory | Special Effects |
Costume & Make-Up | Ken Harvey | Costumer |
Camera | Harry Rez | Key Grip |
Sound | Keith Stafford | Sound Editor |
Art | Joseph E. Hubbard | Set Designer |
Art | Gene Anderson | Assistant Property Master |
Camera | Jay Kaplan | Second Assistant Camera |
Production | Nancy Klopper | Casting Associate |
Directing | Hannah Scheel | Script Supervisor |
Art | Robert Krume | Construction Coordinator |
Camera | Jacque E. Wallace | Best Boy Grip |
Art | John Bonino | Construction Foreman |
Camera | Ronald Batzdorff | Still Photographer |
Production | Herman David | Production Supervisor |
Crew | Fritz Braden | Transportation Captain |
Editing | Jack Garsha | Color Timer |
Production | Toni Howard | Casting Associate |
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