Martin, an I.R.A. hitman, is seen by a Catholic priest while carrying out a hit. He grows a bond with the priest and his niece. But his past and his former employers put all their lives in danger.
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| Directing | Mike Hodges | Director |
| Writing | Jack Higgins | Novel |
| Production | Christabel Albery | Associate Producer |
| Writing | Edmund Ward | Screenplay |
| Production | Peter Snell | Producer |
| Editing | Peter Boyle | Editor |
| Writing | Martin Lynch | Screenplay |
| Crew | Andy Bradford | Stunt Double |
| Crew | Tom Delmar | Stunts |
| Crew | Nick Hobbs | Stunts |
| Crew | Colin Skeaping | Stunt Coordinator |
| Production | Charles Salmon | Location Manager |
| Directing | Carol Brock | Third Assistant Director |
| Sound | William Parnell | Assistant Sound Editor |
| Camera | Gordon Hayman | Camera Operator |
| Camera | Phil Aylward | Grip |
| Art | Andrew Rothschild | Assistant Art Director |
| Production | Debbie McWilliams | Casting Director |
| Camera | John Attwell | Clapper Loader |
| Sound | Robert Mullen | Sound Effects Editor |
| Sound | Gerry Humphreys | Sound Re-Recording Mixer |
| Production | Mary Selway | Casting Director |
| Production | Faye Perkins | Production Coordinator |
| Sound | Jeffrey J. Haboush | Sound Re-Recording Mixer |
| Crew | Brendan Gunn | Dialogue Coach |
| Sound | Sandy MacRae | Sound Recordist |
| Sound | Rita Ackland-Snow | Assistant Sound Editor |
| Camera | Ray Hall | Grip |
| Art | Martyn Hebert | Art Direction |
| Sound | Ian Munro | Boom Operator |
| Sound | Gary Weir | Boom Operator |
| Sound | Greg P. Russell | Sound Re-Recording Mixer |
| Art | Andy Evans | Construction Manager |
| Camera | Graham Attwood | Still Photographer |
| Lighting | Ossa Mills | Best Boy Electric |
| Production | Doreen Landry | Publicist |
| Art | Gordon Billings | Props |
| Lighting | Steve Harvey | Electrician |
| Production | Bernard Spence | Production Accountant |
| Crew | John Markwell | Special Effects Technician |
| Costume & Make-Up | Christine Beveridge | Makeup Department Head |
| Crew | Ian Scoones | Special Effects |
| Art | Maxie McDonald | Property Master |
| Production | Bob Jordan | Assistant Location Manager |
| Directing | Diana Dill | Script Supervisor |
| Directing | Terry Needham | First Assistant Director |
| Crew | Martin Grace | Stunts |
| Camera | Ian Smith | Focus Puller |
| Sound | Peter Best | Sound Editor |
| Directing | John Lawlor | Second Assistant Director |
| Sound | Chris Munro | Sound Recordist |
| Sound | Stephen A. Hope | Music Editor |
| Sound | Dean Humphreys | Sound Re-Recording Assistant |
| Costume & Make-Up | Janet Tebrooke | Wardrobe Supervisor |
| Crew | Alan Grosch | Generator Operator |
| Crew | Joe Drinkeld | Transportation Captain |
| Costume & Make-Up | Peter Edmonds | Wardrobe Assistant |
| Costume & Make-Up | Stevie Hall | Hair Department Head |
| Production | Yvonne Spence | Assistant Accountant |
| Lighting | Billy Merrell | Electrician |
| Lighting | Ray Potter | Gaffer |
| Lighting | Stewart Monteith | Electrician |
| Art | Evan Hercules | Production Design |
| Sound | Bill Conti | Music |
| Costume & Make-Up | Evangeline Harrison | Costume Design |
| Camera | Michael Garfath | Director of Photography |
| Art | Stuart Williams | Standby Carpenter |
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