Sherlock Holmes is drawn into the case of Jack the Ripper who is killing prostitutes in London's East End. Assisted by Dr. Watson, and using information provided by a renowned psychic, Robert Lees, Holmes finds that the murders may have its roots in a Royal indiscretion and that a cover-up is being managed by politicians at the highest level, all of whom happen to be Masons.
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Directing | Bob Clark | Director |
Writing | Arthur Conan Doyle | Characters |
Writing | Elwyn Jones | Novel |
Writing | John Lloyd | Novel |
Writing | John Hopkins | Screenplay |
Production | Bob Clark | Producer |
Production | René Dupont | Producer |
Production | Robert A. Goldston | Producer |
Production | Len Herberman | Executive Producer |
Production | Karen Hazzard | Casting |
Production | Irene Lamb | Casting |
Art | Harry Pottle | Production Design |
Art | Denise Exshaw | Set Decoration |
Costume & Make-Up | Judy Moorcroft | Costume Design |
Costume & Make-Up | Colin Jamison | Hair Department Head |
Costume & Make-Up | Peter Robb-King | Makeup Artist |
Costume & Make-Up | Jane Royle | Makeup Artist |
Costume & Make-Up | Jan Jamison | Assistant Hairdresser |
Sound | Kenneth Heeley-Ray | Supervising Sound Editor |
Production | John Davis | Production Manager |
Production | Ted Rouse | Production Manager |
Camera | Jimmy Turrell | Camera Operator |
Sound | John W. Mitchell | Sound Recordist |
Art | Peter Childs | Art Direction |
Sound | Joe Grimaldi | Sound Re-Recording Mixer |
Sound | David Appleby | Sound Re-Recording Mixer |
Editing | Ian McBride | Assistant Editor |
Sound | Patrick Drummond | Sound Editor |
Sound | Wayne Griffin | Sound Editor |
Sound | Dennis Drummond | Sound Editor |
Costume & Make-Up | Peter Robb-King | Makeup Supervisor |
Costume & Make-Up | Ron Beck | Wardrobe Supervisor |
Production | Andy Birmingham | Production Accountant |
Costume & Make-Up | Colin Jamison | Key Hairdresser |
Art | Ken Pattenden | Construction Manager |
Crew | Michael Albrechtsen | Special Effects |
Directing | Marjorie Lavelly | Continuity |
Lighting | Ray Meehan | Gaffer |
Art | Andy Andrews | Property Master |
Camera | Dennis Fraser | Grip |
Costume & Make-Up | Janet Tebrooke | Wardrobe Master |
Camera | Terry Lewis | Best Boy Grip |
Directing | Guy Travers | Second Assistant Director |
Directing | Ken Goch | Second Assistant Director |
Production | Liz Taylor | Production Secretary |
Sound | Keith Pamplin | Boom Operator |
Sound | Ron Butcher | Sound Engineer |
Costume & Make-Up | Edward Morton | Wardrobe Assistant |
Costume & Make-Up | Jan Jamison | Hair Assistant |
Crew | Jock Kay | Scenic Artist |
Crew | Lynda Levy | Unit Publicist |
Camera | David Farrell | Still Photographer |
Sound | Martin Ashbee | Assistant Sound Editor |
Sound | Steven Cole | Assistant Sound Editor |
Camera | Reginald H. Morris | Director of Photography |
Editing | Stan Cole | Editor |
Sound | Carl Zittrer | Original Music Composer |
Sound | Paul Zaza | Original Music Composer |
Camera | David Wynn-Jones | Focus Puller |
Directing | Ariel Levy | Assistant Director |
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