The Met production easily has the most beautiful staging, designed by Otto Schenck, who also produced the fabulous set for the Met's previous Ring cycle. Kurt Moll is a wonderful Gurnemanz, but compared to his studio recording under Karajan a decade earlier it has lost some of its original velvety body and luster. As Parsifal, Jerusalem is starting to show some wear and tear on his voice at the Met in 1992 as opposed to his prime form at Bayreuth in 1981, but is still quite good; only Placido Domingo could compete with him in the role at that time.
Unfortunately the movie Richard Wagner: Parsifal is not yet available on Netflix. Follow us on Facebook to see when Richard Wagner: Parsifal becomes available on Netflix!
| Directing | Brian Large | Director |
| Sound | Richard Wagner | Original Music Composer |
| Writing | Richard Wagner | Writer |
| Directing | Otto Schenk | Director |
| Art | Otto Schenk | Production Design |
| Costume & Make-Up | Rolf Langenfass | Costume Designer |
| Production | Joseph Volpe | General Manager |
| Sound | Jay David Saks | Music Producer |
| Sound | Bill King | Sound Supervisor |
| Costume & Make-Up | Victor Callegari | Makeup Artist |
| Art | Günther Schneider-Siemssen | Set Designer |
| Crew | Ron Washburn | Technical Supervisor |
| Art | James Levine | Art Direction |
| Costume & Make-Up | Magda Szayer | Hairstylist |
| Sound | James Levine | Conductor |
| Production | Daniel Anker | Producer |
| Crew | Günther Schneider-Siemssen | Projection |
| Directing | Phebe Berkowitz | Stage Director |
| Lighting | Gil Wechsler | Lighting Design |
| Costume & Make-Up | Millicent Hacker | Wardrobe Master |
| Production | Susan Erben | Production Assistant |
| Production | Suzanne Gooch | Producer |
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