Distraught, confused, and half-wild with fear, Sarah Carter emerges alone from the Appalachian cave system where she encountered unspeakable terrors. Unable to plausibly explain to the authorities what happened - or why she's covered in her friends' blood - Sarah is forced back to the subterranean depths to help locate her five missing companions.
Unfortunately the movie The Descent: Part 2 is not yet available on Netflix. Follow us on Facebook to see when The Descent: Part 2 becomes available on Netflix!
Production | Ivana MacKinnon | Producer |
Directing | Jon Harris | Director |
Production | Christian Colson | Producer |
Writing | James McCarthy | Screenplay |
Writing | J Blakeson | Screenplay |
Writing | James Watkins | Screenplay |
Sound | David Julyan | Original Music Composer |
Camera | Sam McCurdy | Director of Photography |
Editing | Jon Harris | Editor |
Art | Simon Bowles | Production Design |
Production | Gail Stevens | Casting |
Costume & Make-Up | Nancy Thompson | Costume Design |
Production | Neil Marshall | Executive Producer |
Art | Michael Kelm | Art Direction |
Art | Claire Nia Richards | Set Decoration |
Production | Alison Banks | Production Manager |
Art | Lucy Moles | Construction Coordinator |
Art | Louise Begbie | Assistant Art Director |
Sound | Chris Sturmer | Dolby Consultant |
Sound | Clare Mahoney | Foley |
Sound | Jason Swanscott | Foley |
Sound | Mark Verner | Foley |
Sound | Danny Sheehan | Supervising Sound Editor |
Sound | Matthew Collinge | Sound Designer |
Sound | Michael Maroussas | Sound Effects Editor |
Sound | Chris Burdon | Sound Re-Recording Mixer |
Crew | Christopher Lloyd | Visual Effects Editor |
Visual Effects | Jacob Otterström | Visual Effects Supervisor |
Crew | Jim Dowdall | Stunt Coordinator |
Camera | James Swanson | Helicopter Camera |
Camera | Oliver Upton | Still Photographer |
Editing | James Winnifrith | First Assistant Editor |
Sound | Andrew Glen | Music Editor |
Crew | Martin Alderdice | Picture Car Coordinator |
Production | Steve Mortimore | Location Manager |
Crew | Lucy Allen | Stunts |
Production | Kelly Valentine Hendry | Casting Associate |
Visual Effects | Sarah K. Hellström | Visual Effects Coordinator |
Visual Effects | John Rafique | Special Effects Supervisor |
Crew | Mark Shelley | Armorer |
Costume & Make-Up | Kirstie Stanway | Hair Designer |
Lighting | Andrew Bailey | Gaffer |
Lighting | Andrew Taylor | Gaffer |
Art | Matt Curtis | Title Designer |
Art | Mark Scruton | Supervising Art Director |
Costume & Make-Up | Clarice Gill | Makeup Artist |
Costume & Make-Up | Sophie Brice | Makeup Artist |
Costume & Make-Up | Kirstie Stanway | Makeup Designer |
Costume & Make-Up | Paul Hyett | Makeup Designer |
Directing | James Watkins | Second Unit Director |
Directing | Jack Ravenscroft | First Assistant Director |
Directing | Harriet Worth | Second Assistant Director |
Crew | Michael Byrch | Stunt Double |
Crew | Richard Bradshaw | Stunt Coordinator |
Crew | Nicholas Daines | Stunt Double |
Crew | Siobhan Coughlan | Stunt Double |
Crew | Neil Finnighan | Stunt Double |
Crew | Belinda McGinley | Stunt Double |
Crew | Kim McGarrity | Stunt Double |
Crew | Mark Southworth | Stunts |
Crew | Roy Taylor | Stunt Double |
Crew | Nick McKinless | Stunt Double |
Crew | Steve Griffin | Stunt Coordinator |
Crew | Maxine Whittaker | Stunt Double |
Production | Paul Smith | Executive Producer |
Art | Chris Cull | Property Master |
Sound | Matthew Collinge | Sound Supervisor |
Sound | Sebastian Dale | Foley Editor |
Camera | Peter Wignall | Second Unit Director of Photography |
Camera | Peter Wignall | Camera Operator |
Camera | Peter Wignall | Steadicam Operator |
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