The madcap life of eccentric Mame Dennis and her bohemian, intellectual arty clique is disrupted when her deceased brother's 10-year-old son Patrick is entrusted to her care. Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle, instilling in him her favorite credo, "Life is a banquet, and most poor sons of bitches are starving to death."
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Directing | Gene Saks | Director |
Costume & Make-Up | Fred Williams | Makeup Artist |
Production | Robert Fryer | Producer |
Production | James Cresson | Producer |
Sound | Jerry Herman | Original Music Composer |
Camera | Philip H. Lathrop | Director of Photography |
Editing | Maury Winetrobe | Editor |
Production | Nessa Hyams | Casting |
Writing | Paul Zindel | Screenplay |
Writing | Robert E. Lee | Musical |
Writing | Jerome Lawrence | Musical |
Art | Robert F. Boyle | Production Design |
Art | Harold Michelson | Art Direction |
Art | Marvin March | Set Decoration |
Costume & Make-Up | Theadora Van Runkle | Costume Design |
Costume & Make-Up | Jean Burt Reilly | Hairstylist |
Costume & Make-Up | Irma Kusely | Hairstylist |
Costume & Make-Up | Hal King | Makeup Artist |
Writing | Patrick Dennis | Novel |
Writing | Jerome Lawrence | Theatre Play |
Writing | Robert E. Lee | Theatre Play |
Costume & Make-Up | Joan Joseff | Other |
Crew | Jeannie Epper | Stunt Double |
Crew | Kevin N. Johnston | Stunt Double |
Crew | Eddie Hice | Stunts |
Crew | Mickey Gilbert | Stunts |
Crew | Gary Epper | Stunts |
Crew | Margo Epper | Stunts |
Crew | Stephanie Epper | Stunts |
Crew | Joe Finnegan | Stunts |
Crew | Leonard P. Geer | Stunts |
Sound | Jerry Herman | Songs |
Crew | Walter Scott | Stunts |
Directing | Michael D. Moore | Second Unit Director |
Writing | Jerry Herman | Musical |
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