A middle aged carpenter, who requires state welfare after injuring himself, is joined by a single mother in a similar scenario.
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Directing | Ken Loach | Director |
Camera | Robbie Ryan | Director of Photography |
Editing | Jonathan Morris | Editor |
Sound | Neal Skillen | Boom Operator |
Editing | Alison Carter | Assistant Editor |
Crew | Michael Clayton | Mix Technician |
Sound | John Skehill | Sound Mixer |
Art | Linda Wilson | Production Design |
Sound | Andrew Caller | Sound Re-Recording Mixer |
Production | Rebecca O'Brien | Producer |
Lighting | Simon Magee | Gaffer |
Crew | Dominic Byles | Propmaker |
Art | Benjamin James Davis | Art Department Assistant |
Sound | Robert Brazier | Sound Effects Editor |
Sound | Adam Scrivener | Sound Re-Recording Mixer |
Production | Courtney Moore | Production Coordinator |
Camera | Ellen Pickering | Camera Intern |
Directing | Heather Storr | Script Supervisor |
Lighting | Dries Houben | Best Boy Electric |
Writing | Paul Laverty | Screenplay |
Production | Philippe Logie | Associate Producer |
Production | Eimhear McMahon | Line Producer |
Camera | Matt Fisher | Steadicam Operator |
Crew | John Condron | Propmaker |
Sound | Ray Beckett | Production Sound Mixer |
Art | Fergus Clegg | Production Design |
Camera | Matt Fisher | Camera Operator |
Production | Kahleen Crawford | Casting |
Costume & Make-Up | Jo Slater | Costume Design |
Art | Caroline Barton | Art Direction |
Production | Caroline Stewart | Casting Associate |
Sound | George Fenton | Original Music Composer |
Production | Carole Baraton | Executive Producer |
Crew | François Tiberghien | Generator Operator |
Sound | Ben Brazier | Foley Editor |
Sound | Rowena Wilkinson | Foley Artist |
Sound | Sue Harding | Foley Artist |
Sound | Ben Brazier | Dialogue Editor |
Editing | Gareth Spensley | Colorist |
Production | Emmanuelle Castro | Executive Producer |
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