A former US Operative, who lived in Russia in his earlier years and had been married there with a child, comes out of retirement to face down a former enemy, now running as a candidate for President in modern Russia. Working with a Russian policewoman, they work to uncover a plot to use biological weapons against certain factions of the Russian people to commit genocide. The virus would also be released in other populations, but would be treated making the candidate a hero. A side plot has the agent being reunited with his long lost daughter.
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Directing | Charles Martin Smith | Director |
Visual Effects | Andrei Pakholkov | Special Effects Supervisor |
Visual Effects | Yuri Udaltsov | Special Effects Supervisor |
Writing | Adam Armus | Writer |
Art | Alexei Karagyaur | Art Direction |
Crew | Vasil Dikov | Special Effects Coordinator |
Camera | Mika Gamzyan | First Assistant Camera |
Art | Valentina Mladenova | Production Design |
Costume & Make-Up | Doriana Kebedzhieva | Assistant Costume Designer |
Crew | Aleksandr Balabushevich | Stunt Coordinator |
Production | Kirill Kozakov | Casting |
Costume & Make-Up | Mariana Zaharieva | Makeup Artist |
Writing | Nora Kay Foster | Writer |
Editing | Craig Bassett | Editor |
Art | Valery Ermilov | Set Decoration |
Lighting | Yavor Zahariev | Gaffer |
Lighting | Anatoliy Neznanov | Gaffer |
Camera | Simon Varsano | Still Photographer |
Production | Brian Gordon | Producer |
Art | Emil Shmidt | Set Decoration |
Costume & Make-Up | Milya Valieva | Costume Design |
Crew | Scott J. Ateah | Stunt Coordinator |
Camera | Alexander Krumov | First Assistant Camera |
Production | Gillian Hawser | Casting |
Production | Lynn Reinstein | Casting Associate |
Sound | Jeffrey Perkins | Sound Re-Recording Mixer |
Costume & Make-Up | Sofi Hvarleva | Makeup Artist |
Art | Sergey Grudinin | Art Direction |
Camera | Igor Grinyakin | Camera Operator |
Directing | Krasimira Karachorova | Script Supervisor |
Costume & Make-Up | Arina Morozova | Makeup Artist |
Production | Patrick Peach | Producer |
Production | Lora Danova | Casting |
Directing | Andra Barbuica | Script Supervisor |
Lighting | Peter Semionov | Gaffer |
Art | Alexey Mushtakov | Set Decoration |
Crew | Jordan Markov | Visual Effects Editor |
Camera | Emil Topuzov | Camera Operator |
Writing | Frederick Forsyth | Novel |
Costume & Make-Up | Violeta Rusinova | Set Costumer |
Camera | David Connell | Director of Photography |
Production | Matthew Lessall | Casting |
Art | Anna Hadzhieva | Art Department Coordinator |
Costume & Make-Up | Dimitrinka Georgieva | Costume Supervisor |
Sound | Otis Van Osten | Supervising Sound Editor |
Crew | Dick Tummel | Second Unit Cinematographer |
Camera | Norbert Kaluza | Steadicam Operator |
Art | Dimiter Petkov | Set Decoration |
Visual Effects | Scott Coulter | Visual Effects Coordinator |
Crew | Vladimir Osherov | Second Unit Cinematographer |
Lighting | Plamen Vassiliev | Gaffer |
Costume & Make-Up | Tatiana Salnikova | Costume Supervisor |
Costume & Make-Up | Julia Blagoveshenskaya | Set Costumer |
Costume & Make-Up | Oksana Bondarenko | Set Costumer |
Sound | Giancarlo Petroni | Sound Re-Recording Mixer |
Costume & Make-Up | Nataliya Bogdanova | Makeup Artist |
Costume & Make-Up | Dimitrina Stoyanova | Key Hair Stylist |
Sound | Peggy McAffee | Sound Effects Editor |
Costume & Make-Up | Lucy Denny | Costume Supervisor |
Costume & Make-Up | Elena Chepeleva | Set Costumer |
Costume & Make-Up | Jasmina Vasileva | Set Costumer |
Crew | Stanimir Stamatov | Stunts |
Costume & Make-Up | Sonya Despotova | Costume Design |
Sound | Daniel Licht | Original Music Composer |
Sound | Mark Kilian | Original Music Composer |
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