A corporate risk-management consultant must determine whether or not to terminate an artificial being's life that was made in a laboratory environment.
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| Production | Aidan Elliott | Executive Producer |
| Production | George F. Heller | Executive Producer |
| Production | Elishia Holmes | Executive Producer |
| Crew | Paul Herbert | Stunt Coordinator |
| Production | James Smith | Unit Production Manager |
| Directing | William Dodds | First Assistant Director |
| Directing | Tom Mulberge | Second Assistant Director |
| Sound | Derek Hehir | Production Sound Mixer |
| Sound | Markus Stemler | Sound Designer |
| Sound | Mark Taylor | Supervising Sound Editor |
| Sound | Matt Collinge | Supervising Sound Editor |
| Costume & Make-Up | Deborah McCarthy | Makeup Supervisor |
| Costume & Make-Up | Lisa McConville | Makeup Artist |
| Visual Effects | Lorna Carmichael | Visual Effects Coordinator |
| Sound | Matt Collinge | Sound Re-Recording Mixer |
| Directing | Luke Scott | Director |
| Writing | Seth W. Owen | Writer |
| Editing | Laura Jennings | Editor |
| Crew | Gary Campbell | Armorer |
| Crew | Ryan McNeill | Armorer |
| Directing | Andrea Bamford | Script Supervisor |
| Directing | Marie Clare Cushinan | Script Supervisor |
| Camera | Mark Patten | Director of Photography |
| Sound | Michael Connell | Music Editor |
| Sound | Tony Lewis | Music Editor |
| Production | Mark Huffam | Producer |
| Production | Michael Schaefer | Producer |
| Production | Ridley Scott | Producer |
| Production | Carmen Cuba | Casting |
| Production | Charley Medigovich | Casting Associate |
| Art | John Merry | Art Direction |
| Art | Daniel Swingler | Assistant Art Director |
| Art | Tom McCullagh | Production Design |
| Art | Elaine McLenachan | Set Decoration |
| Art | Fiona Gavin | Supervising Art Director |
| Costume & Make-Up | Stefano De Nardis | Costume Design |
| Costume & Make-Up | Sarah Robinson | Costume Supervisor |
| Costume & Make-Up | Geri Doherty | Set Costumer |
| Costume & Make-Up | Maurizio Torti | Set Costumer |
| Camera | Imanol Nabea | Camera Operator |
| Camera | Aidan Monaghan | Still Photographer |
| Lighting | Vinny Madden Jr. | Gaffer |
| Camera | Andy Gardner | First Assistant Camera |
| Camera | Eric Greenberg | First Assistant Camera |
| Visual Effects | Simon Cockren | Special Effects Supervisor |
| Visual Effects | Lucy Ainsworth-Taylor | Visual Effects Producer |
| Visual Effects | Angela Barson | Visual Effects Supervisor |
| Visual Effects | Rupert Davies | Visual Effects Supervisor |
| Sound | Becki Ponting | ADR & Dubbing |
| Sound | Hugo Adams | Foley |
| Sound | Mike Dowson | Sound Re-Recording Mixer |
| Costume & Make-Up | Aidan Bradley | Hairstylist |
| Costume & Make-Up | Jordan Samuel | Makeup Designer |
| Editing | Rob Farris | Digital Intermediate |
| Editing | Patrick Malone | Digital Intermediate |
| Sound | Max Richter | Original Music Composer |
| Costume & Make-Up | Davide Losi | Prosthetics |
| Art | Peter N. Brown | Construction Manager |
| Production | Alex Boyd | Production Manager |
| Sound | Jack Stew | Foley Artist |
| Sound | Mark DeSimone | ADR Mixer |
| Sound | Andrea King | Foley Artist |
| Sound | Glen Gathard | Foley Mixer |
| Sound | Jemma Riley-Tolch | Assistant Foley Artist |
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