A graphic interpretation of a man's fascination with weaponry and the sexual power of military aggression, via the story of the Grim Reaper acquiring additional weaponry after undergoing a sex change. Using a combination of live action, laser xerography, hand rendering, and model animation, the film is a companion piece to another Anderson / Hoban collaboration, Door, collectively entitled Deadtime Stories For Big Folk.
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| Visual Effects | Keith Rogerson | Animation |
| Sound | Dirk Campbell | Music |
| Camera | Robert Heath | Camera Operator |
| Visual Effects | David Anderson | Animation |
| Crew | Alister Crocker | Playback Coordinator |
| Camera | Fred Reed | Camera Operator |
| Editing | Sophie Lampard | Assistant Editor |
| Camera | Sue Kane | Assistant Camera |
| Visual Effects | Vanessa Cutts | Visual Effects |
| Production | James Bradley | Producer |
| Visual Effects | Angus Oliphant | Visual Effects |
| Costume & Make-Up | Tim Farrington | Costume Design |
| Visual Effects | Pete Saunders | Modeling |
| Visual Effects | Keith Rogerson | Visual Effects |
| Costume & Make-Up | Louise Anderson | Costume Design |
| Visual Effects | Angus Oliphant | Animation |
| Production | Barnaby Spurrier | Producer |
| Editing | Patrick Moore | Editor |
| Camera | David Scott | Camera Operator |
| Writing | Russell Hoban | Writer |
| Directing | David Anderson | Director |
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