It's San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society's reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
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Directing | Jeffrey Friedman | Director |
Directing | Rob Epstein | Director |
Writing | Jeffrey Friedman | Writer |
Writing | Rob Epstein | Writer |
Costume & Make-Up | Bart Mueller | Costume Design |
Costume & Make-Up | Kurt Swanson | Costume Design |
Production | Bob Rosenthal | Associate Producer |
Production | Lynn Appelle | Line Producer |
Production | Rob Epstein | Producer |
Production | Brian Benson | Co-Producer |
Production | Ken Bailey | Associate Producer |
Production | Jawal Nga | Executive Producer |
Production | James Chan | Associate Producer |
Production | Peter Hale | Associate Producer |
Production | Andrew Peterson | Co-Producer |
Production | Mark Steele | Co-Producer |
Production | Jeffrey Friedman | Producer |
Production | Tiffany Little Canfield | Casting |
Art | Robert Covelman | Set Decoration |
Production | Bernard Telsey | Casting |
Production | Christine K. Walker | Producer |
Art | Thérèse DePrez | Production Design |
Art | Russell Barnes | Art Direction |
Production | Gus Van Sant | Executive Producer |
Production | David Vaccari | Casting |
Production | Kelly Gilpatrick | Associate Producer |
Production | Elizabeth Redleaf | Producer |
Editing | Jake Pushinsky | Editor |
Sound | Carter Burwell | Original Music Composer |
Camera | Edward Lachman | Director of Photography |
Sound | Lora Hirschberg | Sound Re-Recording Mixer |
Sound | Lora Hirschberg | Supervising Sound Editor |
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