Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.
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Production | Kiyomi Kanazawa | Producer |
Production | Tony Randel | Producer |
Directing | R.J. Kizer | Director |
Production | Norio Hayashi | Producer |
Directing | Koji Hashimoto | Director |
Writing | Tony Randel | Adaptation |
Art | Akio Tashiro | Set Decoration |
Production | Danny Goldman | Casting |
Writing | Hideichi Nagahara | Screenplay |
Writing | Tomoyuki Tanaka | Story |
Camera | Kazutami Hara | Director of Photography |
Art | Akira Sakuragi | Art Direction |
Costume & Make-Up | Kenji Kawasaki | Costume Design |
Production | Fumio Tanaka | Associate Producer |
Production | Tomoyuki Tanaka | Executive Producer |
Crew | Teruyoshi Nakano | Special Effects |
Editing | Yoshitami Kuroiwa | Editor |
Art | Akira Sakuragi | Production Design |
Writing | Lisa Tomei | Screenplay |
Sound | Reijirō Koroku | Original Music Composer |
Production | Tadao Tanaka | Casting |
Directing | Lee Berger | Assistant Director |
Directing | Kunio Miyoshi | First Assistant Director |
Production | Andrea Barshov Stern | Associate Producer |
Directing | Kensho Yamashita | Assistant Director |
Lighting | Shinji Kojima | Lighting Technician |
Sound | Christopher Young | Music |
Camera | Steven Dubin | Director of Photography |
Editing | Michael Spence | Editor |
Costume & Make-Up | Nobuyuki Yasumaru | Prosthetics |
Directing | Takao Okawara | First Assistant Director |
Crew | Mitsuo Miyakawa | Special Effects |
Crew | Hideo Aoki | Military Consultant |
Crew | Koji Matsumoto | Special Effects |
Crew | Tadaaki Watanabe | Pyrotechnician |
Visual Effects | Yoshikazu Manoda | Visual Effects Camera |
Crew | Eiichi Asada | Special Effects |
Crew | Shinji Higuchi | Special Effects |
Sound | Nobuyuki Tanaka | Sound Recordist |
Visual Effects | Yoshikazu Manoda | Visual Effects |
Visual Effects | Takeshi Yamamoto | VFX Director of Photography |
Visual Effects | Takeaki Tsukada | Visual Effects Camera |
Visual Effects | Kohhei Mikami | VFX Lighting Artist |
Crew | Kohhei Mikami | Special Effects |
Visual Effects | Takeaki Tsukada | Visual Effects |
Visual Effects | Yoshio Ishii | Visual Effects Camera |
Production | Takahide Morichi | Production Manager |
Visual Effects | Takeshi Miyanishi | Visual Effects |
Visual Effects | Teruyoshi Nakano | Visual Effects Director |
Visual Effects | Masayuki Ikeda | Visual Effects Production Manager |
Visual Effects | Takeshi Miyanishi | Visual Effects Camera |
Directing | Veronica Flynn | Script Supervisor |
Camera | Takashi Nakao | Still Photographer |
Visual Effects | Yoshio Ishii | Visual Effects |
Crew | Kiyotaka Matsumoto | Special Effects |
Crew | Mamoru Kume | Pyrotechnician |
Visual Effects | Teruyoshi Nakano | Visual Effects |
Sound | Glenn E. Berkovitz | Boom Operator |
Sound | Bob Biggart | Sound |
Sound | Mark Sheret | Sound Mixer |
Visual Effects | Bret Mixon | Visual Effects |
Visual Effects | Toshimitsu Oneda | VFX Director of Photography |
Camera | Samuel Buddy Fries | Assistant Camera |
Production | James Melkonian | Post Production Coordinator |
Editing | Diana Jackson | Negative Cutter |
Lighting | Amy C. Halpern | Gaffer |
Costume & Make-Up | Kathryn Sparks | Wardrobe Assistant |
Sound | John Wilkinson | Sound Re-Recording Mixer |
Crew | Christopher Ward Trott | Driver |
Sound | Bob Biggart | Supervising Sound Editor |
Editing | Mehran Salamati | Assistant Editor |
Sound | Lee Chaloukian | Sound Director |
Crew | David Millheiser | Thanks |
Art | Carol Christine Clements | Art Direction |
Production | Lisa M. Dannenbaum | Production Assistant |
Sound | Richard D. Rogers | ADR Mixer |
Editing | Kevin Sewelson | Assistant Editor |
Sound | Katsuaki Nakaya | Conductor |
Crew | Robert Hamlin | Thanks |
Camera | Tracy Neftzger | Key Grip |
Art | Gregg Lacy | Assistant Art Director |
Art | Ernest D. Farino | Main Title Designer |
Writing | Straw Weisman | Writer |
Costume & Make-Up | Carol Christine Clements | Hairstylist |
Production | Ann Marie Trulove | Production Secretary |
Sound | Joseph D. Citarella | Sound Re-Recording Mixer |
Crew | Cynthia T. Lewis | Thanks |
Visual Effects | Ernest D. Farino | Visual Effects |
Art | Pam Moffat | Set Decoration |
Production | Christopher Ward Trott | Production Assistant |
Costume & Make-Up | Mary Michael George | Makeup & Hair |
Sound | Charles Grenzbach | Sound Re-Recording Mixer |
Sound | Mikio Mori | Dolby Consultant |
Visual Effects | Yutaka Tsuchiya | Visual Effects |
Editing | Fusako Takahashi | Negative Cutter |
Camera | Yoshinori Ishizuki | Still Photographer |
Crew | Sôichirô Tahara | Thanks |
Camera | Lewis A. Weinberg | Best Boy Grip |
Camera | Paul S. Isiki | Best Boy Grip |
Sound | Noboru Ikeda | Assistant Sound Engineer |
Costume & Make-Up | Fumiko Umezawa | Makeup Artist |
Directing | Hiroko Kajiyama | Continuity |
Directing | Hitoshi Hoshino | Second Assistant Director |
Camera | Shunji Yokota | Grip |
Costume & Make-Up | Nobuyuki Yasumaru | Costume Design |
Art | Richard Kuhn | Swing |
Art | Mutsumi Toyoshima | Production Design |
Art | Yasuyuki Inoue | Production Design |
Art | Yoshiki Kasahara | Construction Coordinator |
Lighting | Akira Oba | Lighting Technician |
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