A ticking-clock thriller following Winston Churchill in the 24 hours before D-Day.
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Costume & Make-Up | Wendy Kemp Forbes | Makeup & Hair |
Camera | Mark Morley | Grip |
Costume & Make-Up | Emilie Yong | Hair Supervisor |
Sound | Ian Wilson | Supervising Sound Editor |
Camera | Les Hinks | Second Assistant "B" Camera |
Production | Maxine Stanley | Production Accountant |
Camera | Fergus Cruickshank | Camera Trainee |
Sound | Paul Hanks | Foley Artist |
Visual Effects | Luke Butler | Digital Compositor |
Costume & Make-Up | Emilie Yong | Makeup Supervisor |
Costume & Make-Up | Sally Crees | Costume Assistant |
Art | Barbara Sandberg | Graphic Designer |
Camera | Anna Benbow | First Assistant "A" Camera |
Visual Effects | Andy Quinn | Digital Compositor |
Editing | James Clarke | Digital Intermediate |
Directing | Mark Rossi | Third Assistant Director |
Costume & Make-Up | Catriona Johnstone | Makeup & Hair |
Camera | Ben Goodall | Camera Trainee |
Lighting | Jerdan Taylor | Electrician |
Art | Dicky Howett | Props |
Sound | Phil Diamond | Sound Assistant |
Directing | Tracey Warren | Second Assistant Director |
Camera | Will Clements | Digital Imaging Technician |
Editing | Tom Sainty | Assistant Editor |
Camera | Jaspreet Bal | First Assistant "B" Camera |
Production | Catherine Francis | First Assistant Accountant |
Costume & Make-Up | Amy Wallace | Costume Assistant |
Camera | Simon Hayes | Epk Camera Operator |
Lighting | Jonny Mackenzie | Lighting Technician |
Camera | Thomas Barber | Second Assistant "A" Camera |
Editing | Lizzie Newsham | Digital Intermediate |
Crew | Hugh O'Shea | Dialect Coach |
Directing | Nick Heckstall-Smith | First Assistant Director |
Camera | Grant McPhee | Digital Imaging Technician |
Sound | Simon Trundle | Foley Editor |
Production | Katie Player | Production Coordinator |
Editing | Adam Inglis | Colorist |
Production | Dayna Baptie | Production Secretary |
Crew | Paula Jack | Dialect Coach |
Editing | Michael Hopkins | Digital Intermediate Assistant |
Visual Effects | George Zwier | Visual Effects Supervisor |
Production | Pippa Suren | Production Manager |
Visual Effects | Paul Driver | Visual Effects Producer |
Production | Pete Murphy | Location Manager |
Writing | Alex von Tunzelmann | Writer |
Camera | David Higgs | Director of Photography |
Directing | Jonathan Teplitzky | Director |
Editing | Chris Gill | Editor |
Production | Andrew Chapman | Line Producer |
Sound | Andy Shelley | Supervising Sound Editor |
Costume & Make-Up | Cate Hall | Hair Designer |
Sound | Kian McClure | Boom Operator |
Art | Chris Roope | Production Design |
Art | Fiona Gavin | Supervising Art Director |
Writing | Kate Leys | Script Editor |
Visual Effects | Sheila Wickens | Visual Effects Supervisor |
Production | Paul van Carter | Producer |
Costume & Make-Up | Natasha Cousins | Costume Supervisor |
Camera | Alan Maxwell | Camera Operator |
Lighting | John Sturt | Rigging Gaffer |
Art | Neesh Ruben | Set Decoration |
Production | Dan Hubbard | Casting |
Directing | Aina Sabaté-Giralt | Script Supervisor |
Production | Gemma Sykes | Casting Associate |
Costume & Make-Up | Emily Newby | Assistant Costume Designer |
Sound | Rob Hughes | Sound Re-Recording Mixer |
Sound | Rupert Hollier | Music Supervisor |
Production | Claire Robinson | Casting Assistant |
Camera | Steve Pugh | Key Grip |
Sound | Gary Doig | Boom Operator |
Costume & Make-Up | Cate Hall | Makeup Designer |
Visual Effects | George Stone | Visual Effects Producer |
Art | Chloe Waugh | Art Department Assistant |
Visual Effects | Belinda Cumming | Visual Effects Coordinator |
Camera | Graeme Hunter | Still Photographer |
Editing | Rebecca Lloyd | First Assistant Editor |
Production | Claudia Bluemhuber | Producer |
Production | Nick Taussig | Producer |
Art | Martin Kelly | Assistant Art Director |
Costume & Make-Up | Bartholomew Cariss | Costume Design |
Lighting | Scott Napier | Gaffer |
Production | Piers Tempest | Producer |
Art | John Casey | Property Master |
Sound | Lorne Balfe | Original Music Composer |
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