A soundtrack of nature gives way to motors and machines, then an explosion, followed by sounds of explosions and gunfire. On the screen are images as if in a kaleidoscope - of red, white, and blue shapes and of black and green shapes. Islamic and U.S. patterns appear and disappear. Is the collision one of dissonant colors, shapes, and images? Is warfare inevitable?
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Directing | Max Hattler | Director |
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