After Elizabeth's husband dies, she begins to play her tenor saxophone again, and remembers when she was 15 and a member of the Blonde Bombshells, an all-girl (with one exception) swing band. Accompanied by the exception and urged on by her grand-daughter, Elizabeth hunts up all the old members of the band and urges them to perform, and in doing so, learns more than she knew about the band, its members, the roses on the drum set, and herself--the last of the Blonde Bombshells.
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Camera | Ed Rutherford | Clapper Loader |
Camera | Jay Jay Odedra | Focus Puller |
Camera | Janine Modder | Additional Photography |
Camera | Joss Barratt | Still Photographer |
Camera | Milly Donaghy | Camera Trainee |
Directing | Gillies MacKinnon | Director |
Directing | Matthew Sharp | Assistant Director |
Sound | Andrea King | Foley Artist |
Costume & Make-Up | Beverley Binda | Makeup Artist |
Costume & Make-Up | Julie Dartnell | Makeup Artist |
Costume & Make-Up | Kate Benton | Makeup Artist |
Sound | Mark DeSimone | ADR Mixer |
Costume & Make-Up | Lisa Westcott | Makeup Artist |
Sound | Jack Stew | Foley Artist |
Art | Kate Lloyd-Spencer | Art Direction |
Camera | Richard Greatrex | Director of Photography |
Production | Simon Wright | Executive Producer |
Art | Michael Pickwoad | Production Design |
Production | Di Carling | Casting |
Editing | Pia Di Ciaula | Editor |
Production | Analisa Barreto | Co-Producer |
Production | Deirdre Keir | Executive Producer |
Production | Frank Doelger | Executive Producer |
Production | Su Armstrong | Producer |
Costume & Make-Up | Frances Tempest | Costume Design |
Writing | Alan Plater | Writer |
Sound | John E. Keane | Original Music Composer |
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