When Vicki Maloney is randomly abducted from a suburban street by a disturbed couple, she soon observes the dynamic between her captors and quickly realises she must drive a wedge between them if she is to survive.
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Sound | Bernard Galbally | Music Supervisor |
Production | Jane Sullivan | Production Manager |
Sound | Kate Dean | Music Supervisor |
Directing | Stuart Morrice | Second Assistant Director |
Directing | Andrew Power | First Assistant Director |
Camera | Rusty Geller | Steadicam Operator |
Editing | Merlin Eden | Editor |
Camera | Michael McDermot | Director of Photography |
Directing | Ben Young | Director |
Art | Clayton Jauncey | Production Design |
Costume & Make-Up | Terri Lamera | Costume Design |
Production | Melissa Kelly | Producer |
Crew | Shakir Pichler | Picture Car Coordinator |
Camera | Jean-Paul Horre | Still Photographer |
Costume & Make-Up | Danielle Miller | Costume Coordinator |
Camera | Melissa Ozich | First Assistant Camera |
Costume & Make-Up | Hayley Atherton | Makeup Department Head |
Sound | Claire Healy | Boom Operator |
Directing | David Ellis | Continuity |
Art | Louise Brady | Art Direction |
Lighting | Perry Sandow | Gaffer |
Sound | Glenn Martin | Sound Editor |
Sound | Trevor Hope | Sound Recordist |
Costume & Make-Up | Kate Anderson | Makeup Artist |
Camera | Gregory Stirling | Key Grip |
Visual Effects | Tony Bannan | VFX Artist |
Production | Anousha Zarkesh | Casting |
Sound | Dan Luscombe | Original Music Composer |
Sound | Ric Curtin | Dialogue Editor |
Sound | Ric Curtin | Sound Designer |
Sound | Ric Curtin | Sound Re-Recording Mixer |
Sound | Lisa Simpson | Foley Recordist |
Sound | John Simpson | Foley Artist |
Writing | Ben Young | Writer |
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