In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
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| Production | Harvey Weinstein | Executive Producer |
| Production | Alessandro von Norman | Line Producer |
| Costume & Make-Up | Ann Roth | Costume Design |
| Camera | John Seale | Director of Photography |
| Art | Aurelio Crugnola | Art Direction |
| Production | David Rubin | Casting |
| Art | Stuart Craig | Production Design |
| Production | Saul Zaentz | Producer |
| Production | Michelle Guish | Casting |
| Sound | Gabriel Yared | Original Music Composer |
| Production | Scott Greenstein | Executive Producer |
| Writing | Michael Ondaatje | Novel |
| Writing | Anthony Minghella | Screenplay |
| Production | Bob Weinstein | Executive Producer |
| Directing | Anthony Minghella | Director |
| Editing | Walter Murch | Editor |
| Costume & Make-Up | Antonio Maltempo | Makeup Artist |
| Sound | Ivan Sharrock | Sound Recordist |
| Production | Franco Ballati | Unit Production Manager |
| Production | Lynn Kamern | Unit Production Manager |
| Art | Stephenie McMillan | Set Decoration |
| Art | Luigi Quintili | Construction Coordinator |
| Crew | Carolyn Choa | Choreographer |
| Art | Aurelio Crugnola | Set Decoration |
| Costume & Make-Up | Louise Constad | Makeup Artist |
| Sound | Sara Bolder | Dialogue Editor |
| Sound | Malcolm Fife | Foley Editor |
| Sound | Pat Jackson | Supervising Sound Editor |
| Sound | Richard Duarte | Foley Mixer |
| Lighting | Michele Mele | Rigging Grip |
| Costume & Make-Up | Giuseppe Desiato | Makeup Artist |
| Sound | Mark Levinson | ADR Supervisor |
| Costume & Make-Up | Gary Jones | Co-Costume Designer |
| Lighting | Giuseppe Meloni | Rigging Gaffer |
| Art | Deborah Ross | Title Designer |
| Sound | Marc-Jon Sullivan | Boom Operator |
| Art | Franco Fumagalli | Assistant Art Director |
| Visual Effects | Richard Conway | Special Effects Supervisor |
| Sound | Mark Berger | Sound Re-Recording Mixer |
| Sound | David Parker | Sound Re-Recording Mixer |
| Art | Neil Lamont | Assistant Art Director |
| Art | Alessandra Querzola | Assistant Set Decoration |
| Costume & Make-Up | Alessandra Sampaolo | Makeup Artist |
| Sound | John Nutt | Dialogue Editor |
| Costume & Make-Up | Fabrizio Sforza | Makeup Artist |
| Crew | Larry Kaplan | Unit Publicist |
| Directing | Dianne Dreyer | Script Supervisor |
| Lighting | Morris Flam | Gaffer |
| Directing | Emma Schofield | Second Assistant Director |
| Camera | John Seale | Camera Operator |
| Sound | Chris Newman | Sound Recordist |
| Sound | Donald Banks | Boom Operator |
| Sound | Richard Quinn | ADR Editor |
| Sound | Robert Randles | Music Editor |
| Directing | Steve E. Andrews | First Assistant Director |
| Art | John Bush | Assistant Set Decoration |
| Sound | Walter Murch | Sound Re-Recording Mixer |
| Editing | Gary Burritt | Negative Cutter |
| Camera | Tommaso Mele | Key Grip |
| Art | Tony Teiger | Property Master |
| Editing | William Pine | Color Timer |
| Production | Steve E. Andrews | Associate Producer |
| Production | Paul Zaentz | Associate Producer |
| Art | Tony Wright | Storyboard Artist |
| Art | Steve Clarke | Standby Painter |
| Sound | Dianna Stirpe | Dialogue Editor |
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