Ruth Ellis lives with her ten-year old son Andy next to a night club. One night she meets David Blakely, and they start a love affair. However, for David with his upper-class background, it is impossible to uphold the relationship. He breaks up with her, something which makes Ellis, obsessed by him, very upset.
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| Costume & Make-Up | Pat Hay | Makeup Supervisor |
| Costume & Make-Up | Liz Michie | Assistant Hairdresser |
| Costume & Make-Up | Meinir Jones-Lewis | Hairdresser |
| Costume & Make-Up | Carol Devine | Assistant Makeup Artist |
| Directing | Micky Finch | First Assistant Director |
| Production | Patrick Isherwood | Production Accountant |
| Crew | Dickey Beer | Stunts |
| Art | Harry Bearpark | Property Master |
| Sound | Ken Weston | Sound Mixer |
| Directing | Annie South | Continuity |
| Directing | Fraser Copp | Second Assistant Director |
| Camera | Adam Walton | Assistant Camera |
| Lighting | Les Weighell | Electrician |
| Camera | Mark Cridlin | Clapper Loader |
| Camera | Colin Davidson | Focus Puller |
| Production | Zakiya Powell | Publicist |
| Directing | Tony Aherne | Third Assistant Director |
| Art | Celia Barnett | Assistant Art Director |
| Camera | Diana Miller | Still Photographer |
| Camera | Bob Smith | Camera Operator |
| Production | Laura Julian | Production Coordinator |
| Crew | Jim Dowdall | Stunt Coordinator |
| Lighting | Reg Parsons | Gaffer |
| Production | Allan James | Location Manager |
| Sound | Trevor Rutherford | Boom Operator |
| Directing | Mike Newell | Director |
| Sound | Richard Hartley | Original Music Composer |
| Production | Roger Randall-Cutler | Producer |
| Writing | Shelagh Delaney | Writer |
| Camera | Peter Hannan | Director of Photography |
| Costume & Make-Up | Janty Yates | Costume Supervisor |
| Production | Celestia Fox | Casting |
| Editing | Mick Audsley | Editor |
| Art | Adrian Smith | Art Direction |
| Art | Alison Stewart-Richardson | Set Decoration |
| Costume & Make-Up | Pip Newbery | Costume Design |
| Art | Andrew Mollo | Production Design |
| Camera | John Payne | Grip |
| Lighting | John Clark | Best Boy Electric |
| Costume & Make-Up | Mary Ellis | Wardrobe Assistant |
| Art | Malcolm Benstead | Standby Property Master |
| Editing | Jason Adams | First Assistant Editor |
| Production | Tim Dennison | Production Runner |
| Art | Alison Stewart-Richardson | Set Dresser |
| Production | Harriet Fenner | Production Assistant |
| Costume & Make-Up | Janty Yates | Wardrobe Assistant |
| Editing | Annabel Ware | Assistant Editor |
| Crew | Alan Chesters | Carpenter |
| Crew | Mick Ryan | Carpenter |
| Crew | David Ned Kelly | Carpenter |
| Crew | Peter Casey | Generator Operator |
| Art | Tony Ferguson | Dressing Prop |
| Production | Sarah Nichols | Assistant Accountant |
| Art | Perry Crosby | Painter |
| Costume & Make-Up | Nick Perry | Wardrobe Assistant |
| Art | Gary Crosby | Painter |
| Production | Paul Cowan | Associate Producer |
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