Framed for the murder of a record company president in 1952 Hollywood, young, aspiring singer Aggie O'Hanlon is sentenced to life in prison and tries to adjust to her life life behind bars in a hellish womens prison where she is befriended by other "lifer" inmates who help her out when Aggie finds herself marked for murder by an unknown source who thinks she knows more about the murder than she does.
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Camera | Jean de Segonzac | Director of Photography |
Editing | Larry Bock | Editor |
Art | Dorian Vernacchio | Production Design |
Art | Nancy S. Fallace | Set Decoration |
Directing | John McNaughton | Director |
Writing | Samuel Fuller | Writer |
Art | Deborah Raymond | Production Design |
Writing | Christa Lang | Writer |
Production | Julie Alter | Casting |
Sound | Hummie Mann | Music |
Costume & Make-Up | Susan L. Bertram | Costume Design |
Crew | Thomas L. Bellissimo | Special Effects Coordinator |
Crew | Bruce Paul Barbour | Stunts |
Crew | Bonnie Happy | Stunts |
Production | Lou Arkoff | Producer |
Production | Bruce Margolis | Location Manager |
Crew | Chris Howell | Stunt Coordinator |
Production | Amanda DiGiulio | Supervising Producer |
Costume & Make-Up | Carlos David Amador | Key Hair Stylist |
Crew | Jamie Jo Medearis | Stunts |
Production | Debra Hill | Producer |
Production | Llewellyn Wells | Co-Producer |
Directing | James M. Freitag | First Assistant Director |
Crew | Heather Burton | Stunts |
Directing | Lou Ann Quast | Continuity |
Production | Amy Grauman Danziger | Associate Producer |
Costume & Make-Up | Amy Elise Roberts | Wardrobe Supervisor |
Production | Willie Kutner | Producer |
Crew | Debi Parker | Stunts |
Production | David Giler | Producer |
Costume & Make-Up | Carlos David Amador | Key Makeup Artist |
Directing | Jeffrey M. Ellis | Second Assistant Director |
Sound | Richard Taylor | Supervising Sound Editor |
Crew | Thomas L. Bellissimo | Stunts |
Camera | Randy Tepper | Still Photographer |
Crew | Rosine 'Ace' Hatem | Stunts |
Lighting | Robert J. Calnan Jr. | Gaffer |
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