A London art broker goes to Copenhagen where he requires the services of a secretary fluent in Danish, English, and German. He falls deeply in love with the woman, despite the fact that he knows virtually nothing about her. She insists on not being married in a church, and after they are married, some bad things from her past begin surfacing in subtly supernatural ways, and he must find the best way to deal with them without destroying their relationship.
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Directing | Gordon Hessler | Director |
Writing | Gordon Hessler | Screenplay |
Sound | Carl Davis | Original Music Composer |
Camera | Claus Loof | Director of Photography |
Writing | Richard Adams | Novel |
Production | Marilyn Johnson | Casting |
Production | Simone Reynolds | Casting |
Sound | Carl Davis | Conductor |
Art | Rob Schilling | Art Direction |
Production | Benni Korzen | Co-Producer |
Sound | Preben Mortensen | Sound |
Sound | Lennart Birch | Sound Assistant |
Lighting | Otto Stenov | Lighting Director |
Directing | Marjorie Lavelly | Script Supervisor |
Camera | Jesper Find | Assistant Camera |
Camera | Niels Vestberg | Still Photographer |
Editing | Linda Schubell-Sundlin | Assistant Editor |
Editing | Mette Schramm | Dailies Operator |
Editing | Sanne Prehn | Dailies Operator |
Directing | Tony Dyer | Assistant Director |
Production | Sally Pardo | Production Manager |
Production | Nicholas John | Production Supervisor |
Art | Mark Stevensen | Props |
Art | Sarah Woodford | Props |
Camera | Pat Garett | Grip |
Costume & Make-Up | Pauline Daly | Wardrobe Master |
Costume & Make-Up | Abby John | Makeup Artist |
Costume & Make-Up | Susan Parkinson | Makeup Artist |
Lighting | Paul Cronin | Electrician |
Lighting | Ron Searle | Electrician |
Production | Marilyn Phillips | Additional Casting |
Production | Michael Obel | Production Manager |
Production | Ditte Christiansen | Production Assistant |
Art | Ena Eisel | Props |
Art | Arvid Berg | Props |
Art | Axel Krogsbøll | Props |
Camera | Gunner Nielsen | Grip |
Lighting | Jan Andersen | Electrician |
Lighting | Peter Munch | Electrician |
Production | Jim Bigham | Production Manager |
Production | Cathy Carlisle | Production Coordinator |
Camera | Ed Pacetti | Underwater Camera |
Camera | Courtney Goodwin | Assistant Camera |
Lighting | Marty Segal | Gaffer |
Camera | Kevin Chickanis | Grip |
Camera | Dave Cherry | Best Boy Grip |
Camera | John Chickanis | Best Boy Grip |
Sound | Mark Witzen | Boom Operator |
Crew | Annette Serena | Script |
Production | John Hilbard | Production Manager |
Production | Pernille Siesbye | Production Assistant |
Camera | Birger Bohm | Camera Operator |
Camera | Torben Glarbo | Camera Operator |
Camera | Peter Klitgaard | Camera Operator |
Camera | Uffe Kaare Thomsen | Assistant Camera |
Camera | Erik Wittrup Willumsen | Assistant Camera |
Costume & Make-Up | Birthe Lyngsøe | Makeup Artist |
Art | William Knuttel | Props |
Lighting | Benny Nielsen | Electrician |
Lighting | Søren Poulson | Electrician |
Production | Aashin A Shah | Production Accountant |
Sound | Nic Raine | Orchestrator |
Sound | John Nielsen | Sound Editor |
Sound | Bjarne Risbjerg | Sound Editor |
Sound | Lars Skovgaard | Sound Editor |
Sound | Maj Soya | Sound Editor |
Sound | Hans-Eric Ahrn | Sound Re-Recording Mixer |
Art | Palle Arestrup | Props |
Production | Just Betzer | Producer |
Production | Pernille Siesbye | Associate Producer |
Editing | Robert Gordon | Editor |
Costume & Make-Up | Betina Betzer | Costume Design |
Costume & Make-Up | Pernille Siesbye | Costume Design |
Costume & Make-Up | Kezia De Winne | Key Makeup Artist |
Visual Effects | Roy Field | Visual Effects |
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