Peter and Katarina are at a marital crossroads, but, when he brutally kills a burlesque dancer, their domestic squabbles are rendered trivial by comparison. In the wake of the crime, the film backtracks, painting a portrait of the fraught union between Peter and Katarina. When does a marriage go bad? What causes a member of the German bourgeoisie to murder an innocent woman?
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Directing | Ingmar Bergman | Director |
Writing | Ingmar Bergman | Writer |
Camera | Sven Nykvist | Director of Photography |
Sound | Rolf A. Wilhelm | Original Music Composer |
Editing | Petra von Oelffen | Editor |
Art | Herbert Strabel | Art Direction |
Costume & Make-Up | Charlotte Flemming | Costume Design |
Costume & Make-Up | Heinz A. Schulze | Costume Design |
Costume & Make-Up | Mathilde Basedow | Makeup Artist |
Production | Franz Achter | Unit Manager |
Production | Michael Juncker | Unit Manager |
Production | Paulette Hufnagel | Production Manager |
Production | Irmgard Kempinski | Production Manager |
Directing | Johannes Kaetzler | Assistant Director |
Directing | Trudy von Trotha | Assistant Director |
Sound | Milan Bor | Sound Mixer |
Sound | Norbert Lill | Assistant Sound Designer |
Camera | Arne Carlsson | Still Photographer |
Camera | Karl-Heinz Hofmann | Assistant Camera |
Lighting | Rudolf Ibelher | Chief Lighting Technician |
Camera | Lars Karlsson | Assistant Camera |
Crew | Heino Hallhuber | Choreographer |
Production | Rolf Zehetbauer | Production Designer |
Production | Horst Wendlandt | Producer |
Production | Ingmar Bergman | Producer |
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