A director is filming on location in a house where seven murders were committed. The caretaker warns them not to mess with things they do not understand (the murders were occult related), but the director wants to be as authentic as possible and has his cast re-enact rituals that took place in the house thus summoning a ghoul from the nearby cemetery to bump the whole film crew off one by one.
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Directing | Paul Harrison | Director |
Camera | Steve Moon | Grip |
Art | Ronald Víctor García | Art Direction |
Production | Dayton A. Smith | Executive Producer |
Costume & Make-Up | Ron Foreman | Makeup Artist |
Editing | Peter Parasheles | Editor |
Production | Gary Kent | Associate Producer |
Writing | Paul Harrison | Writer |
Production | Paul Harrison | Producer |
Directing | Marty Hornstein | Assistant Director |
Lighting | Ray Dorn Jr. | Gaffer |
Production | Paul Lewis | Producer |
Production | Gary Kent | Production Manager |
Camera | Tom Kantrude | First Assistant Camera |
Sound | Lee Alexander | Sound Mixer |
Writing | Thomas J. Kelly | Writer |
Editing | Mary McGlone | Assistant Editor |
Production | Thomas J. Kelly | Associate Producer |
Directing | Hannah Scheel | Script Supervisor |
Lighting | Joe Dorn | Best Boy Electric |
Camera | Don Jones | Director of Photography |
Sound | Dick Baxter | Sound Effects Editor |
Art | John Klotz | Props |
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