A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
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| Production | Alfred Hitchcock | Producer |
| Art | Hal Pereira | Art Direction |
| Editing | George Tomasini | Editor |
| Sound | Bernard Herrmann | Original Music Composer |
| Camera | Robert Burks | Director of Photography |
| Costume & Make-Up | Edith Head | Costume Design |
| Art | Henry Bumstead | Art Direction |
| Visual Effects | W. Wallace Kelley | Visual Effects |
| Visual Effects | Farciot Edouart | Visual Effects |
| Visual Effects | John P. Fulton | Visual Effects |
| Directing | Daniel McCauley | Assistant Director |
| Sound | Winston H. Leverett | Sound Recordist |
| Art | Frank R. McKelvy | Set Decoration |
| Costume & Make-Up | Wally Westmore | Makeup Supervisor |
| Writing | Thomas Narcejac | Novel |
| Costume & Make-Up | Nellie Manley | Hair Supervisor |
| Writing | Pierre Boileau | Novel |
| Sound | Harold Lewis | Sound Recordist |
| Production | Herbert Coleman | Associate Producer |
| Art | Sam Comer | Set Decoration |
| Art | Saul Bass | Title Designer |
| Sound | Muir Mathieson | Conductor |
| Writing | Samuel A. Taylor | Screenplay |
| Writing | Alec Coppel | Screenplay |
| Directing | Alfred Hitchcock | Director |
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